Sunday, December 20, 2020

Thirteen at Dinner


 Thirteen at Dinner (1933; APA as Lord Edgware Dies) by Agatha Christie 

While Poirot and Hastings are attending a performance of the impressionist, Carlotta Adams, the renowned actress Jane Wilkinson (aka Lady Edgware) approaches Poirot. It seems the lady would like very much to divorce her current husband so she can marry the wealthy Duke of Merton (and move even further up the social ladder). Ms. Wilkinson is used to getting her way and can't stand the fact that her husband is being so obstructive and refusing to grant the divorce. In fact, if Monsieur Poirot cannot convince him to divorce her, then she'll just have to jump in a taxi, drive up to the house, and kill him.

Despite the fact that Poirot does not usually dabble in divorce cases of any sort, he is intrigued and surprises Hastings by agreeing to visit Lord Edgware. But they both get a bit of a shock when Edgware declares that he can't understand what they're talking about--he's written to his wife telling her quite plainly that she's welcome to her divorce. Poirot senses that there is something peculiar going on even after he tells the delighted actress that all should be smooth sailing in the divorce department. He's proved right the next day when Inspector Japp tells him that Lord Edware has been murdered and both the butler and secretary declare that Lady Edgware did it.

It appears that a woman announcing herself as Lady Edgware arrived at the house, went into the library to speak with her husband, and left. Lord Edgware was discovered the next morning stabbed to death. Japp isn't worried about the case at all except for one small fact--he's been told that Poirot visited the dead man the day before his death and Japp wants to know just what's up. Well, he's a bit deflated to hear that Lady Edware's motive isn't nearly as strong--after all, she was going to get her divorce. But--still you can't deny the evidence of witnesses, now can you?

But then...he finds out that there's a roomful of witnesses prepared to swear that Jane Wilkinson spent the evening at a dinner party held at the home of Sir Montagu Corner. She never left the dinner table once except when she was briefly called to the phone for what seems to have been a prank phone call. So other suspects must be found. Lord Edware wasn't a particularly nice man--his daughter admits to hating him; he had thrown his nephew (and now the new Lord Edware) out of the house and cut off his allowance; and the butler and a sum of money recently withdrawn by the lord have now disappeared.

Poirot suddenly remembers Carlotta Adams and her very successful impersonation of Jane Wilkinson and becomes worried for her safety. He and Hastings rush to her rooming house, but are too late. Carlotta Adams is also dead from an apparent overdose of veronal. Somebody got Carlotta to impersonate Lady Edgware--but who? And whose hand held the knife that killed Lady Edware's husband? Poirot poses five questions that must be answered before he'll be able to identify the killer and he almost forgets about them when it looks like he finds the culprit by another means. Japp is happy with the initial solution, but Poirot is not and he goes back to his five questions once more.

This is a fine use of one of Dame Agatha's favorite ploys--impersonation. And getting to the bottom of who plotted the impersonation and to just what use it is put is the whole point and the fun of the thing. Of course, I've read this one before and have seen the Suchet version of it more recently, so I really wasn't fooled by the red herrings and distractions that Christie puts in the reader's way, but it was still enjoyable to watch her try. Christie is one of my many comfort reads and I am having a very good time working my way through her work (more or less in publication order). ★★★★

First line: The memory of the public is short. Already the intense interest and excitement aroused by the murder of George Alfred St. Vincent Marsh, fourth Baron Edgware, is a thing past and forgotten.

Last line: P.S.--Do you think they will put me in Madame Tussauds?

************

Deaths = 3 (two stabbed; one poisoned)

Saturday, December 19, 2020

What Remains of Heaven


 What Remains of Heaven (2009) by C. S. Harris is the fifth in the Sebastian St. Cyr, Viscount Devlin, historical mystery series set in the early 1800s. Devlin has gotten quite a reputation as a solver of crime. So, when the Bishop of London is found dead in the recently opened church crypt in his home village, the Archbishop of Canterbury naturally asks the gentleman sleuth to investigate the death of his (the Archbishop's) favored successor. Devlin might have turned him down, but the sneaky prelate brought his friend and Sebastian's favorite aunt, the Duchess of Clairborne, along to ensure his acquiescence. But when they tell him that the Bishop was found beside the remains of a corpse murdered several decades ago, he's definitely intrigued.

As Devlin begins to dig into the Bishop's recent appointments, he finds a startling coincidence--Miss Hero Jarvis had been to see the man on a regular basis and was apparently the last appointment prior to his death. Hero and Sebastian have a rocky past--their fathers have been at odds politically and Sebastian has more than irritated man who is the power behind the Prince Regent on numerous occasions. The situation has also been complicated by a brief, unexpectedly passionate encounter which may prove to have long-lasting effects on our detective's life. But there are many who have much stronger reasons to have removed the Bishop from this earthly plane.

There is the butcher who had an odd encounter with the Bishop that day--a butcher who has somehow managed to produce enough cash to open a fairly new little shop just a short time after returning from serving a penal transportation. There is the nephew who argued with him and the widow his eldest brother who has secrets of her own. And there's Lord Jarvis himself...who desperately did not want The Bishop of London to be appointed as the Archbishop's successor. Not to mention the well-to do politicians who resented the Bishop's stance on slavery. Devlin's investigations lead him from the back alleys of Smithfield to the powerful residents of Whitehall and suspects range from those already mentioned to William Franklin, the bitter son of American patriot Ben Franklin, who blames the Bishop for his inability to find a welcome in either country.

Once the second corpse is identified, a whole new set of motives is revealed--including a well-guarded secret within his own family. Finding the killer may also reveal a truth about himself that will bring his world crashing down, but his sense of justice won't let him rest until he discovers the killer.

I really enjoy these historical mysteries. Harris mixes political intrigue with standard mystery motives and the reader must be on her toes to figure out which type of motive will carry the day. Harris is a scholar of the French revolution and 19th Century Europe and it definitely tells in her depictions of the period. The details are vivid and she manages to make us feel like we've learned a lot about the period without also feeling like there have bee massive info dumps of historical material. The characters are also well-drawn and intensely interesting--even those who are not so likeable. However, I do hope that we will (soon!) get to the point that we can stop throwing earth-shattering revelations about his family at Devlin. Let the poor man be for a bit! I appreciate having real characters that we can relate to, but I do get tired of constant drama in the lives of my heroes and heroines. ★★★★

First line: His breath coming in undignified gasps, the Reverend Malcolm Earnshaw abandoned the village high street and struck out through the lanky grass of the churchyard.

Last lines: He expected her to make one of her usual provocative remarks on the inequities of modern English marriage laws. Instead, she gave a strange, soft laugh and said, "Perhaps I shall."

***********

Deaths = 4 (one hit on head; two stabbed; one burned in fire)

Reprint of the Year: The Dragon Murder Case


 In recent years, Kate at Cross Examining Crime came up with a brilliant brainstorm (as she so often does). In the wake of various publishing houses recognizing the virtues of Golden Age (and more recent) vintage crime novels through reprint editions of both well-known and more obscure titles, Kate thought those of us who love those vintage mysteries would like the chance to feature the year's reprints and make a pitch for our favorites to be voted Reprint of the Year. We loved the idea so much that we're going to do it again.

This year, as Kate notes, we are back bigger than ever, with ten bloggers taking part. So, this Saturday and next, I and my illustrious colleagues Brad, Moira, John, Puzzle Doctor, Laurie, Aidan, JJ, Dead Yesterday, and Kate will feature our picks of the 2019 reprint crop and make our best bid for reprint stardom. Now, I do have a confession to make upfront--I am (as many of my blog followers know) a challenge-aholic and have been madly trying to finish off the last of my challenges. So, I made my choices based purely on what books I had lurking on my TBR shelves that would work for for my Mount TBR Challenge or books I've read in the past.

This week's offering is The Dragon Murder Case (1933) by S. S. Van Dine--reprinted in February 2020 by Felony & Mayhem. It has an opening murder that is sure to intrigue the impossible crime lovers out there. Sanford Montagu, a handsome actor, and a host of others make up a weekend party at the estate of Rudolph Stamm. The Stamm property is known for its dragon pool--the center of various legends, some coming down from the Algonquin and Lenape Indians. It is said that a mysterious water monster (sometimes referred to as dragon) lives in the pool. Matilda Stamm, Rudolph's mother, has a fervent belief in the dragon and claims that it protects her family from those who wish it harm.

When Montagu and the others in the group (Bernice Stamm, Rudolph's sister; Mr. Leland, friend of the household; Alex Greeff, a stock-broker with dealings with Stamm; Kirwin Tatum, a dissipated hanger-on pining for Miss Stamm; Mrs. "Teeny" McAdam, a lady with designs--perhaps on Stamm; and Miss Ruby Steele, a former actress who may still be playing a part)...well, as I say, when the group decides to go for an evening swim, Montagu is the first to change into his suit and head to the pool. He strikes an athletic pose on the diving board, makes a graceful swan dive into the water....and never surfaces. The men (minus their host who had been drinking steadily all evening and was left in the house a sodden state) make diving searches to no avail. Montagu has simply disappeared. 

Mrs. Stamm insists that the dragon got him--that Montagu was threatening the family's well-being by his attentions to Bernice. And when his body is later found exactly where she predicted it would be left by the monster and it has three long gashes on the chest which look remarkably like talon marks...well, what's a respectable police detective like Sergeant Heath to do? Bring in Philo Vance, of course. Vance uses his knowledge of mythological lore, creatures of the deep, and his insights into human psychology to bring a rational conclusion to a very bizarre case.


 Admittedly, Philo Vance can be a bit trying at times. He seems to know everything about everything--in this case everything about Native American mythology to rare species of tropical fish. But his books do tend to offer up very good examples of early crime fiction. Dragon has a slightly weird feel to it with all the mythology and dragon talk, but the mystery's solution is very logical and must have been quite a puzzle for folks reading it for the first time in the 1930s. It is enjoyable to read an early impossible crime and especially an early American example. Most of the well-known (to the general public) Golden Age crime fiction novelists are British or (in the case of John Dickson Carr) use England as their setting, so it is good to see vintage American detective novels in reprints as well.

One thing that I personally love about this (and which I had forgotten about) is Dr. Doremus. He makes few appearances, but when he does it is amusing. I am a Star Trek fan as well as Golden Age detective novel enthusiast and the good doctor reminds me of Dr. McCoy. He tosses off "I'm a doctor, not a..." lines like a true ancestor of the Enterprise's chief medical officer (see examples in quotes below). He pulls off the crusty "country" doctor in a way that several more recent novels have tried and failed.

If you like detectives with esoteric knowledge, if you like impossible crimes, if you like examples of American vintage mysteries...the vote for Van Dine!


First line: That sinister and terrifying crime, which came to be known as the dragon murder case, will always be associated in my mind with one of the hottest summers I have ever experienced in New York.

My dear Markham, you're far too logical. It's your legal training, of course. But the world is not run by logic. I infinitely prefer to be emotional. Think of the masterpieces of poetry that would have been lost to humanity if their creators had been logicians-- (Philo Vance; pp. 44-5)

PV: How did she take this advice, Mr. Greeff?

AG: The way all women take advice--haughtily and contemptuously. No woman ever wants advice. When they ask for it, they're merely looking for agreement with what they've already decided to do. (Philo Vance, Alex Greeff; p. 84)

I can't perform an autopsy on a theory. I'm a doctor--not a philosopher. (Dr. Doremus--sounding like a 1930s version of Dr. McCoy; p. 128)

SH: What do you think made those scratches on his chest, doc?"

DD. How should I know? Haven't I already told you I'm a doctor and not a detective? (Sgt. Heath, Dr. Doremus--still sounding like McCoy; p. 187)

Oh, I say! Must there be hidden meanings in all my observations?...I was merely offering a counter supposition regarding the elusive vehicle. (Philo Vance; p. 212)

RS: Here's an interesting one...The Blow-fish--Tetrodon cucutia. Watch this. He took one of the fish out of the water in the small net, and it inflated itself into the shape of a ball. Curious idea--blowing oneself up to keep from being swallowed.

PV: Oh, quite human, I should say. All our politicians do the same thing. (Rudolph Stamm, Philo Vance; p. 257)

I cling childishly to the trodden paths, for life has a most disappointin' way of proving commonplace and rational when we are hopin' most passionately for the bizarre and supernatural. (Vance; p. 310)

Last line: "I'm not doing so well with my Scatophagus here," he repined. "Not the proper conditions--if you know what I mean, sir."

****************

Deaths = 4 (two strangled, one crushed by huge rock, one natural)  ★★★★

Tuesday, December 15, 2020

Read 52 Books in 52 Weeks 2021

 


hosted by Robyn

I'm ready for year seven! The rules are simple. Just read one book per week for a total 52 books in the year. I generally have no problem reading at least one book per week...so this is one of my slam dunk challenges. I will list my books below as I read them. If you'd like to join in, just click the link above. Robyn offers other challenges as well--including a perpetual Agatha Christie challenge and a book bingo among others.

1. Princess Elizabeth's Spy by Susan Elia MacNeal (1/2/21)
2. The Red Fairy Book by Andrew Lang [ed] (1/9/21)
3. Sidney Chambers & the Shadow of Death by James Runcie (1/14/21)
4. The Floating Admiral by The Detection Club (1/17/21)
5. Dead as a Dodo by Jane Langton (1/24/20)
6. Murder in the Calais Coach (aka Murder on the Orient Express) by Agatha Christie (1/30/21)
7. The Listerdale Mystery by Agatha Christie (2/7/21)
8. The Cannibal Who Overate by Hugh Pentecost (2/14/21)
9. Murder at Bray Manor by Lee Strauss (2/21/21)
10. The Boomerang Clue by Agatha Christie (2/21/21)
11. The Heart Is a Lonely Hunter by Carson McCullers (3/6/21)
12. Bodies from the Library by Tony Medawar (ed) (3/10/21)
13. The Coconut Killings by Patricia Moyes (3/22/21)
14. Murder in 3 Acts by Agatha Christie (3/25/21)
15. Mr. Smith's Hat by Helen Reilly (4/7/21)
16. One Murdered: Two Dead by Milton Propper (4/14/21)
17. Fire in the Thatch by E. C. R. Lorac (4/30/21)
18. Look Behind You, Lady by A. S. Fleischman (5/1/21)
19. Innocent Blood by P. D. James (5/12/21)
20. Who Buries the Dead by C. S. Harris (5/25/21)
21. Murder in Mesopotamia by Agatha Christie (5/27/21)
22. Murderess Ink: The Better Half of Mystery by Dilys Winn (5/28/21)
23. People of the Book by Geraldine Brooks (6/4/21)
24. Where the Dead Lie by C. S. Harris (6/16/21)
25. Mystery on the Isle of Skye by Phyllis A. Whitney (6/22/21)
26. The Predator of Batignolles by Claude Izner (6/30/21)
27. The Bride of Newgate by John Dickson Carr (7/3/21)
28. The Illusion of Murder by Carol McCleary (7/11/21)
29. Murder Draws a Line by Willetta Ann Barber & R. F. Schabelitz (7/15/21)
30. The Perfect Crime by Israel Zangwill (7/21/21)
31. The Mystery of a Hansom Cab by Fergus Hume (7/29/21)
32. Henrietta Who? by Catherine Aird (8/2/21)
33. Evil Under the Sun by Agatha Christie (8/10/21)
34. Funerals Are Fatal (After the Funeral) by Agatha Christie (8/14/21)
35. The Patriotic Murders (One, Two, Buckle My Shoe) by Agatha Christie (8/17/21)
36. Cards on the Table by Agatha Christie (8/22/21)
37. Appleby's Other Story by Michael Innes (8/31/21)
38. Dumb Witness by Agatha Christie (9/9/21)
39. The Regatta Mystery by Agatha Christie (9/13/21)
40. Many Deadly Returns by Patricia Moyes (9/25/21)
41. Mister Splitfoot by Helen McCloy (10/4/21)
42. The Five Assassins by Owen Fox Jerome (10/6/21)
43. Show Red for Danger by Frances & Richard Lockridge (10/17/21)
44. Murder at Hartigan House by Lee Strauss (10/30/21)
45. Death of an Obnoxious Tourist by Maria Hudgins (11/19/21)
46. Which Reminds Me by Tony Randall & Michael Mindlin (11/21/21)
47. Death in High Heels by Christianna Brand (11/23/21)
48. Silent Nights by Martin Edwards [ed] (12/1/21)
49. Murder at the Mortuary by Lee Strauss (12/6/21)
50. A Surprise for Christmas by Martin Edwards [ed] (12/16/21)
51. Fan Fiction by Brent Spiner (12/22/21)
52. The Death at Yew Corner by Robert Forrest (12/29/21)


Sunday, December 13, 2020

The Revenge of the Hound


 The Revenge of the Hound (1987) by Michael Hardwick

Synopsis excerpts from the book flap: Set in June 1902, only months after the publication of The Hound of the Baskervilles. The coronation of Edward VII has been postponed for what at first seem to be mysterious reasons. Spy scares are rife across England. The working class is filled with unrest. The unthinkable, a British revolution, now seems possible.

Amid it all, Dr. John H. Watson...has become engaged to an American woman...a decision which may affect his long-standing relationship with Sherlock Holmes. Holmes himself is on the verge of a major decision. Although he is not quite fifty years old, he sees the coming age as a time to retire....Yet before the decision can be made, three seemingly unrelated events occur. From Inspector Lestrade of Scotland Yard comes news of the sighting on Hampstead Heath of a creature frighteningly similar to that of infamous Hound; from Holmes's brother, Mycroft, comes a mysterious summons, and rom the deck of an English Channel ferry, Holmes and Watson witness the apparently motiveless murder of a ship's steward.

Suddenly, the midnight oil is brurning again at 221B Baker Street. Holmes's deductive mind is roused from self-indulgence to excitement. The game's afoot. As the coronation of Edward VII grows closer, Holmes and Watson realize that what might be the last case of their career together may decide the very fate of England! {It's amazing how often "the very fate of England" is in danger...}

Hardwick seems determined to drag in references to as many of the original Holmes stories as possible--everyone from Lestrade to Shinwell Jones to Inspector Gregson to Mycroft Holmes appears. I'm sure if he could have found a way to bring Moriarty back from the dead, he would have. I'm surprised that after titling the story The Revenge of the Hound he didn't pull Stapleton out of the mire and have him running about.* We visit places mentioned in "The Disappearance of Lady Frances Carfax" and the "The Man with the Twisted Lip" and more. He seems to think that the more he proves how much he knows of the canon the more willing we'll be to accept his version of Holmes and Watson. But his characterization of the duo rings false throughout the first half to two-thirds of the book. Holmes is in a snit over Watson's impending third marriage and is unbelievably rude to Watson--he even throttles him quite thoroughly (supposedly to prove that a certain witness's story is a lie, but he fully admits that he feels much better after half-strangling his friend). The pair sound and act much more like themselves in the last third of the book, but by that point I'd already given up on them and the improvement didn't help much.

On top of there being too much of what I can only call "showing off my Holmes knowledge," there is way too much going on this story--to quote Watson: "The Carfax case. The hound. The disappearance of Cromwell's bones. Now this murder. Not to mention such incidentals as your concern about invasions, revolution, the 'Yellow Peril' and being commanded to act for the king....you have no time for chasing after random murderers." Hardwick may been "the first man after the late Christopher Morley to be honored the investiture of The Sign of the Four by the Baker Street Irregulars of America, one of the most prestigious honors possible for any Sherlockian." He may have known his Holmesian lore inside-out and front to back, but none of that's useful if the story isn't engaging and seems overly complex. Honestly, the best things about this one were the illustrations by Steranko.   and 1/2. 


 *And speaking of the original story--it would have been nice if the plot had a real connection the original Hound of the Baskervilles instead of what we got. It felt like Hardwick just dragged that in to add some sort of Doyle legitimacy to the whole thing.

First line: I have never been able to decide, to this day, whether or not Sherlock Holmes knew my intentions.

Last line: "Pray, Miss Adkins--call me...Holmes."

**********

Deaths (one stabbed; two clawed to death)


Saturday, December 12, 2020

Reprint of the Year: Checkmate to Murder


 In recent years, Kate at Cross Examining Crime came up with brilliant brainstorm (as she so often does). In the wake of various publishing houses recognizing the virtues of Golden Age (and more recent) vintage crime novels through reprint editions of both well-known and more obscure titles, Kate thought those of us who love those vintage mysteries would like the chance to feature the year's reprints and make a pitch for our favorites to be voted Reprint of the Year. We loved the idea so much that we're going to do it again.

This year, as Kate notes, we are back bigger than ever, with ten bloggers taking part. So, this Saturday and next, I and my illustrious colleagues Brad, Moira, John, Puzzle Doctor, Laurie, Aidan, JJ, Dead Yesterday, and Kate will feature our picks of the 2019 reprint crop and make our best bid for reprint stardom. Now, I do have a confession to make upfront--I am (as many of my blog followers know) a challenge-aholic and have been madly trying to finish off the last of my challenges. So, I made my choices based purely on what books I had lurking on my TBR shelves that would work for for my Mount TBR Challenge or books I've read in the past.

First up is a Reprint for those of you like your vintage mysteries draped in fog and set during World War II. E. C. R. Lorac's Checkmate to Murder takes place in early 1940s London. A fog-shrouded night with windows shrouded in black-out curtains or painted over to meet the black-out standards. In Bruce Manaton's barn-like studio, the hush of the fog seems to seep in and focus the concentration of the oddly-assorted group gathered for the evening. Bruce, a talented but as of yet unsuccessful artist, is fully focused on his latest painting--a portrait of a man in the scarlet robes of a Cardinal. The model for this work is Andre Delaunier, an equally talented and unsuccessful actor, who holds his pose with the import of Shakespearean drama. At the other end of the room, Robert Cavenish, a thoroughly respectable Home Office man, and Ian MacKellon, a brilliant chemist somehow connected with the war effort, are thoroughly engrossed in a game of chess. Moving in and out from the kitchen just beyond, Rosanne Manaton, the artist's sister, prepares dinner and runs her own artistic eye over the tableau. Outside, muffled by the fog are various warning signals and other noises. Among them a shot?

For next door, the Manatons' miserly landlord, Albert Folliner, is shot to death in his sitting/bedroom and apparently robbed of his miser's stash. The Special Constable who has been on his nightly rounds comes bursting into the Manatons' lodging dragging a young Canadian soldier as prisoner. The soldier is Neil Folliner, the nephew of the slain man, and the Special Constable swears he has caught the man red-handed. But Scotland Yard sends Inspector Macdonald to take over the case and when he has finished taking statements, examining the premises--both the studio and the landlord's rooms, and following up the clues that escaped the constable's nervous eyes, he finds that all may not be as straight forward as it seems. For instance--if the constable came upon Neil Folliner after the crime was committed, why have the former's footprints been overlaid by the latter's? And what happened to the loot? And is Mrs. Tubbs really just the jolly cockney charwoman that she seems to be? And what about those previous tenants of the studio?

As I told John from Pretty Sinister Books when I first read this (and who tried to warn me away from it), I must have a thing for Lorac's fog-shrouded, black-out-centered mysteries, because I thoroughly enjoyed her Checkmate to Murder (1944). Inspector MacDonald is a very thorough yet very human policeman. He is never quick to judge and he has a way of seeing everything--even the things the witnesses and suspects think they've hidden properly. The mystery is fairly clued--maybe too fairly, because I figured this one out. Not absolutely every little detail, but enough that I'm calling it a win for Inspector Bev.  
But figuring out the solution fairly early didn't detract from my enjoyment. The characters are well-drawn and Mrs.Tubbs, Folliner's charwoman; Mrs. Stanton, whose garden backs up against the "murder house' and studio; Mrs. Blossum, the owner of the Green Dragon pub; and Bert Brewer, a rheumatic gardener all add a good bit of local period color to the proceedings. It is an atmospheric and highly enjoyable wartime mystery. If you like Lorac, if you like wartime mysteries, and if you like atmosphere--then Vote for Lorac!

Reprinted in the British Library Crime Classics series (August 2020)

The Sirens Sang of Murder


 The Sirens Sang of Murder (1989) ~Sarah Caudwell (Sarah Cockburn)

I say, Larwood, is this tax-planning business really as exciting as these Daffodil characters seem to think or do they just make believe it is to make life more interesting? I mean, if I'd known it was all about does and secret documents and biffing chaps in false beards, I wouldn't have minded going in for it myself.... (Michael Cantrip--by telex, p. 47)

This is the third in a quartet of fun, witty, twisty mysteries that Caudwell wrote about Hilary Tamar, law scholar and sometime amateur sleuth, and a group of junior barristers who have an uncanny knack for landing themselves in the middle of murder and mayhem. Our most recent adventure opens with Michael Cantrip and Larwood knee-deep in concocting a novel loosely-based (ahem) on themselves and the doings in their law office. Cantrip is immediately taken off to the Channel Islands ostensibly to advise on a tax case [though, if the Daffodil Settlement folk wanted really good tax advice, why didn't they ask Larwood, a more notable authority on the subject?]. 

The Channel Islands served (maybe still serve?) as tax havens for folks such as those who set up the Daffodil Settlement. A settlement (or other such conveyances) properly set up could protect people living in heavily taxed countries from being bothered by such pesky details like income tax or death duties or such. Part of the idea was to hide the identities of the real owners and beneficiaries so the Inland Revenue spies...er officials couldn't figure them out. But, generally speaking, the administrators of such things were supposed to know. Key word supposed

Apparently, now that the chief administrator of the Daffodil Settlement has died in a swimming accident, nobody knows identity of any of the important players. And a situation has arisen that makes it imperative to know--otherwise about 9 million pounds is going to be paid out to the named beneficiary (which was supposed be just pretend). Cantrip has been brought in to advise the remaining administrators on "what the heck do we do now?" But then another member of the little group falls off a cliff...and it begins to look like somebody is trying to make sure the trust is paid out in a certain way.

Cantrip gets a bit worried about the whole situation and begins sending telex messages to his colleagues back in London keeping them abreast of the situation. Things get very tense and Professor Tamar goes buzzing off to the island of Sark to prevent Cantrip from being the next contestant in the death stakes. Will our intrepid amateur detective be in time? Does Tamar know who is behind it all and why? 

****Possible spoiler ahead. Read at your own risk***

I absolutely love Cantrip this time around (and am ready to forgive him for having a name that makes me want to call him Catnip). The telex updates that he sends to his fellow lawyers are hilarious and following his adventures as he tries to foil whatever nefarious plans "old Wellieboots" has up his sleeve is worth the price of admission. I am tempted to give this a full five stars based on that alone--but I have to deduct a star for the solution. I mean, yes, there's all that tax and settlement and who's the real beneficiary business floating around to create a nice bit of suspicion all round. But, honestly, when the real villain of the piece crawls out of the woodwork, it feels a bit cliche. I have to agree with Larwood that the old-fashioned motive rearing its head amongst the overall flow of the plot seemed just a bit out of place. I can't really cry foul though--Caudwell does strew the clues about and it should have been possible for me to identify the culprit. But I definitely wasn't thinking about that motive, so the clues didn't point where they should have. ★★★★

First line (prologue): There will be much disappointment, I fear, among my fellow scholars.

First line (first chapter): "No, no, let me go or I'll scream," cried the lovely Eliane, her beautiful eyes filling with tears and her bosom heaving under the delicate silk of her blouse as she struggled to free herself from the vile embrace of the brutal Barrister's Clerk.

Trouble, so far as Julia had been able to discover, was what Colonel Cantrip had spent a lifetime of more than seventy years getting into. (p. 33)

So, the impasse--which I take to be the correct expression for a situation in which no one makes a pass at anyone--continued throughout my stay and  until after dinner on my last evening. (Julia Larwood; p.68)

The thing that gets me, looking back on last night, is that there was actually a stage when I was quite looking forward to getting a solid eight hours of health-giving zizz. Which just goes to show how right all those chaps are who say what a waste of time it is expecting things to turn out the way you expect them to, because they never do. [Michael Cantrip--by telex; pp.83-4)

I do not doubt that in a crime novel having any pretention to modernity, the pen would be quite inadmissible. As a mere historian, however, there is nothing I can do about it. Nature, as we know, does imitate Art, but I fear that she all too often falls short of the highest standards. Were you to turn your attention from fictional crime to those reported in the newspapers, you would find that people are still leaving fingerprints and murdering spouses for all the world as if they were living in the 1920s. (Hilary Tamar; p. 151)

Yoo-hoo there, Larwood, it's me here--ace investigator Catseyes Cantrip reporting back to base. Bet you'll never guess what I'm doing in Monte Carlo. Well you won't, not in a million years, so I'll tell you. (Cantrip--by telex; p. 154)

I was on my own in the office at the back of the Alexandra and I suddenly saw this awful face at the window--sort of inhuman-looking, with glaring eyes and lots of teeth. First thing I thought was that it was a werewolf or something from outer space. Second thing I thought was that it looked just like old Wellieboots [Judge Welladay] when someone tries to cite the Duke of Westminster's case. Third thing I thought was that it actually was old Wellieboots, and I was right....Well, you don't find High Court judges prowling round Sark glaring through office windows just for the fun of the thing, do you? (Cantrip--by telex; pp. 154-5)

The trouble with real life is that you don't know whether you're the hero or just some nice chap who gets bumped off in chapter five to show what a rotter the villain is without anyone minding too much. (Cantrip; p. 173)

Nutty as a fruitcake. And the problem about people going nutty is that it's jolly difficult to tell whether they're harmlessly nutty or dangerously nutty. (Cantrip; p. 203).

Last line: No doubt she was right; but we had been dealing, as I pointed out, with a deplorably old-fashioned murder.

***********

Deaths = 2 (one drowned; one fell from height)

Friday, December 4, 2020

Mrs. Jeffries & the Feast of St. Stephen


 Mrs. Jeffries & the Feast of St. Stephen by Emily Brightwell (Cheryl Lanham Arguile)

In the weeks leading up to Christmas Mrs. Jeffries and the rest of the servants at Inspector Witherspoon's residence are getting ready for the holidays when their master is handed a rather unpleasant Yuletide gift. The wealthy Stephen Whitfield had been hosting a seasonal dinner of his own his sister-in-law and a few friends when he fell dead into his plate of soup. Whitfield just finished telling those gathered that he had a very special announcement. He then turned red, began to shake, told the guests they had all turned blue and something was wrong with the lights before falling forward onto the table. They are all shocked, but believe he has suffered from a heart attack until the doctor who had been quickly summoned from across the street announced that he believed it was poison and that the police must be called in.

It is soon established that the cause of death was a liberal dose of dried fox gloves leaves in the bottle of Bordeaux brought as a gift by Maria and Basil Farringdon, two of the guests. Whitfield had been the only one to drink the wine--everyone else sticking to the usual sherry before dinner. But Whitfield had guzzled the stuff down like a man who'd just crossed the desert with no liquid refreshment at hand. At first glance you'd think the Farringdons the likely culprits, but it winds up that anyone in the house could have dumped an envelope full of dried bits into the wine at any time. The butler had opened the wine and left it on the stand in the drawing room. Then Whitfield led his guests off to admire his Christmas decorations and everybody milled about in such a way that nobody knew where anybody else was for sure at any given time. It's all a muddle for Inspector Witherspoon--everyone had an opportunity, but the motives keep fading away like snow flakes on a warm window. His superior officer is being pressured to have the case solved by Christmas and so Witherspoon is pressured as well. He just doesn't think his "inner voice" (as his housekeeper Mrs. Jeffries has called it) is going to speak up this time.

But his secret weapon is at work--the secret weapon he doesn't know he has. Mrs. Jeffries, Mrs. Goodge (the cook), Smythe (who handles the horses), Betsy (the maid), and Wiggins (the footman) are all on the case...along with his good friends and neighbors Mrs. Luty Bell Crookshank and her butler Hatchett. Each of these characters have their own sources and methods and can usually collect enough gossip and clues to help Mrs. Jeffries unobtrusively direct Witherspoon's inner voice to reveal the solution. The group have a tough case this time....and Witherspoon is on his way to meeting where the case will most likely be reassigned to another inspector when light finally breaks and the inner voice can speak. 

These Victorian era mysteries are very light and fluffy and this one was just what I needed at the moment. A little bit of holiday festivity thrown in with the cozy little investigations of the servants. I did spot the murderer and how exactly it all happened before Mrs. Jeffries, but I didn't mind. It was nice to visit these old friends (I've read several of these over the years). A good solid read for when you don't want anything too taxing. ★★

First lines" "I do hope you like this, Stephen." Maria Farringdon smiled as she handed the bottle of Bordeaux to her host.

Last line: "And if he does, I 'elp ya hunt him down," Wiggins offered.

***********

Deaths = 5 (poisoned)

December Calendar of Crime Reviews

 




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December Virtual Mount TBR Reviews

 




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December Vintage Mystery Extravaganza Reviews

 




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Miss Marple: The Complete Short Stories


 Miss Marple: The Complete Short Stories (1985) by Agatha  Christie (all stories originally published 1960 or earlier). This collection includes all the Miss Marple stories from The Thirteen Problems, The Regatta Mystery, Three Blind Mice, and Double Sin. The first of a set of stories centered around Miss Marple, her nephew, and some friends who comprise the "Tuesday Night Club"--a gathering where each member submits the story of mystery to which only they know the answer. The others are supposed to try and figure out the answer. Of course, Miss Marple outshines them all. Later stories show her involved in mysteries as they happen to folks in St. Mary Mead and to her friends in other villages. A very nice, comfortable little collection. ★★

"The Tuesday Night Club":  Here Sir Henry Clithering tells the story of poisoning. Three people sat down to a dinner and it seems that all three ate the same things. But only one of them dies of arsenic poisoning (or even gets sick). How was it done? And who did it? Miss Marple knows.

"The Idol House of Astarte": Dr. Pender takes center stage next with a tale of a seemingly impossible murder cloaked with a bit of mysticism. The murder was committed on the night of a costume party near the grove of Astarte. The grove was on the estate of Sir Richard Haydon, a man who was rival of his cousin Eliot for the love of the beautiful Dianna Ashley. The grove contained a mysterious summer house which was rumored to have been a place where secret rites were held long ago. Diana decided to dress the part of Astarte--appearing in a mysterious glow in the summer house. The vision startled Sir Richard and he then stumbled to the ground. when the others reached him, he was dead from a knife wound...but there was no knife to be found.

"Ingots of Gold": Raymond West, Miss Marple's nephew and a famous author, tells of a visit at the home of his friend John Newman. Newman has started a search for a Spanish ship, which has been rumored to have sunk off the Cornish coast during the rout of the Spanish Armada--with a cargo of gold. Also in the vicinity Inspector Badgworth who is more interested in the recent sinking of the Otranto, a ship that most definitely did have gold ingots aboard but the gold has been stolen. Newman disappears and when he's found tied up in a hollow near the cliffs, he tells West and the Inspector that he ran afoul of the men who have absconded with the ingots. Can Miss Marple get to the bottom of this mystery?

"The Bloodstained Pavement": Joyce is the artist in the group and she tells a story that speaks to her artistic eye--noticing details that only an artist...or another woman like Miss Marple might see. Her story also takes place in Cornwall in a small coastal village where she had gone to paint. A couple comes to the same hotel as does a previous acquaintance of the husband's. The three arrange to meet at a nearby beach--the couple rowing to the sight and the other woman walking along the coast. Later, Joyce notices the wet bathing things hanging out to dry while she is painting and chatting with a man from the town. She's aghast when she sees that she has painted bloodstains on the pavement in front of the hotel. The man tells her a story of previous violence at the hotel and says that whenever someone sees the bloodstains, then a death will follow within 24 hours. Two days later, she reads in the paper that Margery (the wife of the pair) had disappeared while swimming in the sea at another location. A week later her body is found with a wound in the head. Was it just a fatal accident or was it murder?

"Motive v. Opportunity": Next up is the attorney Mr. Petherick. He tells the club about Simon Clode, a wealthy client who has long since passed on. At one time he had a granddaughter on whom he doted, but she died while young. Clode became more and more obsessed and depressed by her death and turned to a questionable spiritualist to contact his daughter in the afterlife. After several "conversations" with the little girl, he decides to leave Eurydice Spragg, the medium, everything he has to the disadvantage of his niece and two nephews. Mr. Petherick disapproved, but had no valid reason to prevent the short and to-the-point will from being witnessed and signed in his presence. After Clode died, everyone was surprised when the envelope containing this latest will was opened and the paper was blank. The club investigates, but it seems that those who had a motive to substitute a blank page had no opportunity and those who had an opportunity had no motive. Miss Marple sees straight through to the truth.

"The Thumbmark of St. Peter": Miss Marple tells the story of her niece Mabel who wed unwisely and soon regretted it--for her husband was a bit of bully and they quarreled often. After one particularly heated argument, the husband died mysteriously the next night. Small villages just can't resist gossip and soon rumors are flying round that Mabel has poisoned her husband. Mabel called upon her aunt to help her out of her mess. Miss Marple was able to discover that the man was indeed poisoned and the guilty party was soon identified.

"The Blue Geranium": This time the story-telling takes place around the table at the Bantrys. Arthur Bantry tells about his friend George Pritchard, who had a very irritable, semi-invalid wife with a fondness for psychics. Mrs. Pritchard consults Zarida, the last in a long line of such women, who gives her a dire warning: On the full moon, she must watch for the signs. A blue primrose means caution, a blue hollyhock means danger, and a blue geranium means death! Over the course of the moon's phases, the signs appear--on her floral wallpaper flowers that were never blue before suddenly change color. And on the morning she is found dead within her locked room, there is a blue geranium just above her bed.

"The Companion": Dr. Lloyd tells of two middle-aged women he saw when on a holiday (for his health), Miss Mary Barton and her companion Miss Amy Durant. He was sure that they were just the type of women that nothing exciting ever happened to. But he was wrong. The very next day Miss Barton is drowning and Miss Barton attempts to bring her ashore and save her. Dr. Lloyd appears on the scene and artificial respiration is unsuccessful. The next thing he knows, Miss Durant is dead too. She apparently committed suicide and left a note that seemed to indicate that she was remorseful for having caused Miss Barton's death. But there's more to the story...as Miss Marple knows.

"The Four Suspects": Sir Henry gives us another tale about Dr. Rosen who was instrumental in the downfall of a secret German organization. The doctor knew that eventually members of the group who had escaped punishment would seek him out and exact revenge, but he was satisfied that he had done the right thing and hoped to finish a research project before they got to him. He is found dead at the bottom of his staircase--possibly an accident, possibly not. The four members of his household fall under suspicion, but they all claim to have been out at the time (but no corroboration of their whereabouts). Miss Marple uses clues from the story and her own knowledge of gardens to point out the culprit.

"A Christmas Tragedy": Miss Marple relates the time she was certain that a man was going to kill his wife while they were all staying at the same hotel over the Christmas holidays. There were several "accidents" which could have been fatal. But when the wife is killed in what looks like a burglary gone wrong, the husband has a cast iron alibi. If Miss Marple hadn't noticed two key facts while on the scene, the murder might not have been solved.

"The Herb of Death": Mrs. Bantry takes her turn at presenting a puzzle for the group. She tells of a dinner party where fox gloves leaves were mixed in with sage and everyone at the dinner became ill. Everyone recovered except the ward of the host. The young woman died and it was initially thought that the leaves were simply mixed in by mistake. But Miss Marple spots the clues that prove murder...and correctly names the murderer as well.

"The Affair at the Bungalow": Jane Heiler, a beautiful actress, tells this story. She presents it as having happened to "a friend," but the others are quite sure that the story is Jane's own. While on tour with a play, she was called in by the police to be identified by a young man who claimed she had written a letter and requested his presence at a certain bungalow which belonged to another actress. He had met her there and then been drugged.  A robbery had taken place at the bungalow and he is being held as a suspect. But when Jane arrives at the police station, the man says that she isn't the right woman. What really happened? Miss Marple knows...even though she says she doesn't while the group is all together.

"Death by Drowning": Rose Emmett has been found drowned in the river near St. Mary Mead. She was pregnant and her lover had refused to marry her so everyone thought she had killed herself. But Miss Marple knew she'd been murdered. When she hears that Sir Henry Clithering is in town for a visit, she asks him to investigate. She has no proof and doesn't think the local police will take her reasons seriously. She writes down the name of her suspect and asks Sir Henry to find a way to discover whether she's correct. When an apparently unshakeable alibi is produced, it begins to look as if Miss Marple has made her first mistake....but Christie fans know that can't be possible.

"Miss Marple Tells a Story": Mr. Petherick brings a man accused of murdering his wife to see Miss Marple. When the man sees the elderly sleuth, he's doubtful that she can help him, but Petherick convinces him to tell his story. Mr. Rhodes and his wife were staying at a hotel. She had gone to bed and he was working in the adjoining room. Only he and a chambermaid (who brought fresh towels) had access to the rooms and there are witnesses who can state that no one else came near the rooms. The case looks very black against Mr. Rhodes and he didn't impress the jury much at the inquest. But never fear...Miss Marple can prove his innocence if anyone can.

"Strange Jest": Two cousins, Edward Rossiter and Charmian Stroud are introduced to Miss Marple at a party. They become convinced to share a problem with the lady. It seems that their recently deceased uncle had always told them that they'd be well taken care of when he was gone. But when he died, they found that he had sold securities and withdrawn his money from the bank with no evidence as to what was done with it. He had talked a lot about gold and burying your treasures in the garden, so the pair had gone on a digging spree with no luck. After Miss Marple hears what happened on his deathbed, is taken to the house where he lived, and has a good look round, she's able to help the young people find their inheritance in an unlikely place. But then elderly men do sometimes like to have their little jokes.

"The Case of the Perfect Maid": Miss Marple's maid asks her mistress to help her cousin Gladys--also a maid. Though Gladys is a bit outspoken in her ways, she's an honest girl. But now there is a stain on her character. She had been working for the Misses Skinner and one of the ladies' brooches had gone missing. It was found but then, after a dish was broken, Gladys was given notice and now people are starting to talk. Miss Marple has barely begun to work when the Skinners find a paragon to replace Gladys...but all is not what it seems.

"The Case of the Caretaker": Miss Marple has had the flu and is still feeling rather peaked, so Dr. Haydock brings her a little puzzle to get her mind off her troubles. He has written up the details of mysterious death and wants to see if she can give him the solution. The story concerns the return of handsome Harry Laxton to the village of his childhood. The boy who was a bit of scapegrace has done well for himself and married a beautiful young woman of wealth. He takes over what's left of his childhood home--tears it down and builds a lovely house for his new bride. But the villagers can't give up the gossip about his past and there's one person who is very upset that the old house has been torn down. When tragedy strikes, who is behind it?

"Tape-Measure Murder": Mrs. Spenlow is late for her appointment with Miss Pollitt, the dressmaker. Miss Pollitt has been ringing and knocking at the door to no avail. Mrs. Spenlow's neighbor soon notices the commotion and comes to help--when Miss Hartnell tries to look in the windows, she discovers Mrs. Spenlow dead on the hearthrug. Everyone is convinced that the husband did it, after all the man showed so little emotion when he was told his wife was dead. And what kind of alibi is it to say that he'd received a phone call from Miss Marple asking him to come to her cottage and then the lady wasn't home. Miss Marple is certain he's telling the truth, but how to prove it? 

"Greenshaw's Folly": Raymond West winds up witnessing an old lady's will and finding out that she needs someone to compile her grandfather's diaries for publication. He suggests his niece Louise for the job and then, after only two days at the lady's home at Greenshaw's Folly, she witnesses a murder that couldn't have happened. Miss Marple is able find out how it was done and by whom.

"Sanctuary": Diana "Bunch" Harmon is intent on placing her flower arrangements in the church when she finds a dying man on the chancel steps. The man tries to speak, but is only able to say "sanctuary" and something that sounds like her husband, the vicar's name Julian. She gets help quickly, but nothing can be done to save the man who was shot. His relatives arrive--insist that he'd been depressed lately and must have killed himself and seem more concerned about collecting his possessions (especially his coat) than they are about the man's death. Bunch can't get his last words out of her head and she takes the problem straight to Miss Marple. The two women find themselves in the middle of a rather exciting adventure and eventually discover why the man was seeking sanctuary.

*****************

Deaths (from all stories) = 21 (five poisoned; six natural; two stabbed; two hit on head; two drowned; one fell from height; two hanged/strangled; one shot)

Wednesday, December 2, 2020

Back to the Classics Challenge

 



I didn't sign up for the Back to the Classics Challenge last year and I wasn't sure about this year. But I've put together a list using quite a few books planned for other 2021 challenges...so here we go again! At the most basic level, challengers must complete six categories (for one entry in the year-end drawing). Nine categories will equal two entries and all twelve categories will equal three entries. I'm going to officially enter for six categories. I'll probably finish nine and might manage all twelve, but once I have six I will be able to claim the challenge for my Challenge Addict tally. If you'd like to see the full details and/or join in, please click the link above.

My tentative list:

1. 19th C Classic: Wylder's Hand by J. Sheridan Le Fanu (1864)
2. 20th C Classic: Death of a Busybody by George Bellairs (1942)
3. Classic by a woman: The Convenient Marriage (1934) OR The Talisman Ring (1936) by Georgette Heyer
4. Classic in translation: The Song of Roland  (1100) trans. by Dorothy L. Sayers (1957--this edition)
5. Classic BIPOC Author: The Conjure-Man Dies by Rudolph Fisher (1932)
6. Classic by new-to-me Author: The Cosmic Computer by H. Beam Piper (1963)
7. Classic I haven't read by a favorite Author: The Watsons by Jane Austen (1805)
8. Classic about an animal or with animal in title: One Lady, Two Cats by Richard Lockridge (1967)
9. Children's Classic: The Mystery of the Stuttering Parrot by Robert Arthur (1964)
10. Humorous/Satirical Classic: The Bishop's Jaegers by Thorne Smith (1932)
11. Travel/Adventure Classic: Journey Into Fear by Eric Ambler (1940)
12. Classic Play: Lady Windermere's Fan by Oscar Wilde (1893)




Linz the Bookworm's 2021 Reading Challenge

 


Linz the Bookworm sponsors a 2021 Reading Challenge that works on a tiered-level format. There are five levels for a total of 60 books if all levels are completed. I plan on opting in for the first level: Book of the Month Club. After that, I may read more books for the challenge--just to see how many categories I can fill--but my personal commitment will be met at Level 1. I've filled in possible choices.

Level 1: Book of the Month Club [Commitment complete: 4/25/21]
1. Book from Kindle Unlimited, Audible, Amazon First Reads, Paperback Swap, or the Library: Crimson Snow by Martin Edwards [ed] (1/12/21)
2. Book under 400 pages: Death & the Dutch Uncle by Patricia Moyes (1/18/21)
3. Book that makes you happy: Bodies from the Library: Lost Tales of Mystery & Suspense by Agatha Christie & Other Masters of the Golden Age by Tony Medawar [ed] (3/10/21) [Golden Age mysteries always make me happy]
4. A stand alone novel: The Floating Admiral by The Detection Club (Agatha Christie, Dorothy L. Sayers, et al) [1/17/21]
5. Book that starts with "D": Dead as a Dodo by Jane Langton (1/24/21)
6. Book recommended to you: The Bookwanderers by Anna James (2/6/21)
7. Book with color white on cover: The Double-Jack Murders by Patrick McManus (2/2/21)
8. Book with main character who is a high school or college student: The Green Door by Mildred A. Wirt [Penny is in high school] (2/26/21)
9. Book by an author named Michael/Mike/Michelle or variant: Smooth Justice by Michael Underwood (4/25/21)
10. Book that's been turned into a TV series or Movie: Murder in the Calais Coach (aka Murder on the Orient Express) by Agatha Christie (1/30/21)
11. Book with exactly two words in title: Hallowed Murder by Ellen Hart (1/26/21)
12: Free Space! Any book: Death of a Millionaire by G. D. H. & Margaret Cole (1/4/21)

Level 2: Casual Reader Club (Complete 6/15/21)
13. A book from https://www.whatshouldireadnext.co: The Documents in the Case by Dorothy L. Sayers & Robert Eustace [plugged in Murder on the Orient Express by Christie] (4/24/21)
14. Read a murder mystery: The Boomerang Clue by Agatha Christie (2/21/21)
15. First book in a series you've wanted to start: Sidney Chambers & the Shadow of Death by James Runcie (1/14/21)
16. Book that has a person on the cover: When Maidens Mourn by C. S. Harris (1/20/21)
17. Book where main character's occupation is chef/baker: A Tasty Way to Die by Janet Laurence (6/15/21)
18. Book by author born in 20th C: Magpie Murders by Anthony Horowitz
19. Book with form of royalty in title: Princess Elizabeth's Spy by Susan Elia MacNeal (1/2/21)
20. Book you meant to read on last year's challenge: The Cannibal Who Overate by Hugh Pentecost (2/14/21) [I didn't participate in last year's version of this challenge, but I had planned to read this for another challenge last year.]
21. Book by Barbara Cartland: Hiding (5/8/21)
22. Book that takes place in spring: Blue Octavo by John Blackburn (3/12/21)
23. Book with word Human/Person/People in title: People of the Book by Geraldine Brooks (6/4/21)
24. Free space! Any book: Mr. President, Private Eye by Martin H. Greenberg & Francis M. Nevins, Jr. [eds] (1/22/21)

Level 3: Dedicated Reader Club (Complete 7/29/21)
25: Book by a Self-Published Author: The Mystery of a Hansom Cab by Fergus Hume [self-published in 1886!] (7/29/21)
26. Book bought for under $5: Howard's End by E. M. Forster (2/27/21)
27. Book from https://time.com/collection/100-best-fantasy-books/: A Swiftly Tilting Planet by Madeleine L'Engle (5/8/21)
28. Book published in 2010s: Murder at Bray Manor by Lee Strauss [2017] (2/21/21)
29. Book from favorite genre: The Listerdale Mystery by Agatha Christie (2/7/21)
30. Book that has had at least 3 different covers: Tinker, Tailor, Soldier, Spy by John Le Carre (2/20/21)
31. Book takes place in Europe: Raffles (The Amateur Cracksman) by E. W. Hornung [mostly England, but some in Italy] (1/28/21)
32. Book by author with same first name as one of your grandparents: My Own Words by Ruth Bader Ginsburg (2/13/21)
33. Book with main character who is a magic user: The Red Fairy Book by Andrew Lang (1/9/21)
34. Book with time of day in title (Morning, Noon, Evening, Dusk, Dawn etc): Murder at Teatime by Cynthia Manson [ed] (7/16/21)
35. Book by author of different ethnicity: I'll Kill You Next! by Adam Knight [Lawrence Lariar; Jewish] (5/16/21)
36. Free space! Any book: Rebecca by Daphne du Maurier (2/24/21)

Level 4 Speed Reader Club (Complete 7/27/21)
37. Next book a series you've started: What Darkness Brings by C. S. Harris (4/11/21)
38. Book with orange cover: Gently in the Sun by Alan Hunter (4/5/21)
39. Book over 600 pages: Giant Mystery Reader by Various [edited by Avon Books] (7/4/21)
40. Book with "Chosen One" trope: Preach No More by Richard Lockridge (5/9/21)
41. Book with elderly main character: Death in the Clouds by Agatha Christe [Poirot described as a "little elderly man with large moustaches and an egg-shaped head] (3/31/21)
42. Book with letter V in title or author's name: The Venetian Blonde by A. S. Fleischman (5/3/21)
43. Science Fiction book: The Fantastic Civil War by Frank McSherry, Jr. [ed] (6/23/21)
44. Book that starts with letter P: (The) Portcullis Room by Valentine Williams (7/27/21)
45. Book with bird on cover: Murder by the Book by Frances & Richard Lockridge [pelican] (5/5/21)
46. Book about a lady on this list https://www.historyextra.com/100-women-results/: The Illusion of Murder by Carol McCleary [Nellie Bly]  (7/11/21)
47. Book with main character with different ethnicity: The Conjure-Man Dies by Rudolph Fisher (7/3/21)
48. Free space! Any book: A Rogue of One's Own by Evie Dunmore (2/25/21)

Level 5 Overachiever Club
49. Book with interesting front cover: Murder in 3 Acts by Agatha Christie (3/2/21) [because I think all these old pulp-era covers are the coolest things ever]
50. Book about orphans: Uncle Silas by Joseph Sheridan Le Fanu (2/22/21)
51. Book with word "wind" in title: A Wind in the Door by Madeleine L'Engle (5/7/21)
52. Book by John Irving
53. Book published when you were eleven: Star Trek The Motion Picture: The Photostory by Richard J. Anobile [ed] (4/21/21)
54. Book that takes place in the 1960s: One Lady, Two Cats by Richard Lockridge (1/31/21)
55. Book about a topic that interests you, but you haven't read about it yet: Women Heroes of World War II by Kathryn J. Atwood (5/5/21)
56. Nonfiction book that teaches you a new skill
57. Book without a picture on front cover: One Murdered: Two Dead by Milton Propper (4/14/21)
58. Book involving mental illness: Lord Mullion's Secret by Michael Innes (7/30/21)
59. book with unfavorable reviews, but you're still curious about: The Adventure of the Peerless Peer by Philip Jose Farmer (as by John Watson) 
60. Free space! Any book: The Talisman Ring by Geogette Heyer (2/19/21)