A Wallflower's Guide to Viscounts & Vice

 A Wallflower's Guide to Viscounts & Vice (2025) by Manda Collins

Synopsis (from the back of the book): A wallflower by choice, wealthy Lucy Penhallow would rather sit out the dancing all season than listen to the flattery from the fortune hunters who pursue her. But when she and her best friend's brother witness a crime in progress, they'll need to put every skill Lucy's learned from reading detective stories to the test in their hunt for a missing woman. And if Viscount Gilford happens to be handsome as sin and clever to boot? Well, that's no hardship for her.

Viscount Gilford needs a wife to save him from financial ruin [after an unscrupulous steward embezzles funds from the estate], and there's only one heiress who's off limits [as his sister's best friend]. So when he and Lucy find themselves inextricably linked in the tabloids, it's a disaster. As their investigation progresses, their once unwelcome alliance becomes something more--a love match neither will give up. But there's a killer watching their romance from the wings who's only too happy to keep those meddlesome sleuths together in the afterlife.

This one is in a tie with How to Dance with a Duke for least favorite Manda Collins book so far. The romance progressed even more quickly than those in the other Collins romance/mysteries I've read. And the mystery was far less compelling and more confusing. I'm not sure if Collins is changing her style a bit for this new Wallflower offshoot from the Ladies Most Scandalous series or if this is just a less successful entry in her general romance/mystery repertoire. Either way, it didn't hold my attention in the same way and I wasn't terribly interested in the Lucy/Gilford relationship. We went from "I can't be interested in my sister's totally forgettable best friend" to "Wow, she's so beautiful I could never forget her" in less time than it takes to be reintroduced. All that was needed to push Gilford right off the romance cliff was for his friend Woodward to show an interest in her. Then he starts looking daggers at every man who even dares to look at her.

Spoiler Alert.... 

As far as the mystery goes....I don't understand why all the killing was necessary. After the fake kidnapping, why didn't the two violent lovebirds just hop on a boat for America and go get married? Did we really have to kill so many people? And I wish it had been more clear that Mr. Blackwood was really okay at the end. There's one sentence that makes it seem so...and I hope so. Hopefully, the next installment will get back on track. My favorite Collins book so far is A Spinster's Guide to Danger & Dukes. I hope to see another just as good in the future. ★★ and 1/2

First line: He was too pretty to die.

Last line: "My dear lady," he said as he rose with her in his arms and headed for their bedchamber, "is that not why you married me?"
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Deaths = 5 (three stabbed; one natural; one hit by train)

A Spinster's Guide to Danger & Dukes

  A Spinster's Guide to Danger & Dukes (2023) by Manda Collins (read by Mary Jane Wells)

Miss Poppy Delamare has been living in London under the name Flora Deaver. As such, she has been working as the secretary to Lady Katherine Eversham and as a reporter for Kate's newspaper. She had fled to the city to escape an unwanted marriage arranged by her odious stepfather--to his equally odious secretary. But when she sees a newspaper article stating that her half-sister stands accused of murdering her husband--the same odious secretary, she knows she must rush home to do whatever she can to clear her sister's name. She knows that Violet could never have killed the man--not just because she's her sister, but because he was shoved off the top of a tower and Violet is terrified of heights.

Poppy leaves a hurried note for Kate (who is a friend as well as employer) and Caro (recently wed to her Viscount) and makes a beeline for the train station where she is promptly relieved of her life's savings by a cut-purse. She runs after the man, shouting "Stop, thief!" and runs smack into Joshua Fielding, the Duke of Langham. The two have already met in the previous novel and were not exactly enamoured of each other. But Langham is a gentleman and can't leave a lady in need. When he discovers that she is headed to the same village as he (its conveniently home to his country estate) and why, he proposes a deal. He'll use his ducal influence in every way possible to assist her quest for justice and she will accompany him to the estate--as his fiancee! 

You see, Langham is due home for his grandmother's birthday party, an annual gala which the matriarch uses as an attempt to see her grandson hooked up with a suitable woman to become the duchess. He just knows there will be a harem of women for him to look over and he has absolutely no intention of marrying any of them. If Poppy will agree to a faux engagement for the duration, it will save him no end of bother and if she's appearing as his fiancee, there will be even more reason for his ducal protection. The uneasy bargain is struck and the two of them give the house party the shock of season when they step off the train and Langham makes the introductions.

Poppy faces fire from the society ladies whose noses have been put out of joint, but, fortunately, she was gently bred before leaving home and has the manners and courage to face things out. She even, after a rather stiff introduction, manages to win over the Dowager Duchess and Langham's two sisters. Poppy begins to feel bad about the deception, but once started she knows she has to go on with it if she's to have any chance of saving Violet. 

And...what about that murder? Well, it winds up that there is dirty work afoot between the dead man and his boss. They've been swindling people and a note that Lanham and Poppy find while investigating seems to indicate that the victim had been blackmailing various people as well. Was there a falling out between the thieves? Did one of his victims decide to eliminate the blackmailer? Or...there's an indication that there may have been an attachment between Violet and Langham's cousin & steward. Is the murderer closer to Langham than Poppy? 

Meanwhile, as Langham and Poppy work together to fool the house guests as well as play detective, they find themselves wishing more and more that the engagement wasn't fake....

So, the next audiobook in this series begins by telling us that these are romance novels with mystery thrown in. Perhaps--there is quite a bit of romance going on here and, of course, as happens when two people who dislike each other on sight are thrown into a faux engagement/relationship for one reason or another, they naturally wind up madly in love. But--this particular installment in the series has a quite respectable mystery in it. Very nicely clued and if I had thought just a little bit harder about the first one presented I could have figured out who the culprit was. As it happened, I didn't and went haring off after a red herring. And the romance is quite good as well--I really like Langham and Poppy. Especially Poppy. I loved how she stood up to the society women who were determined to put her in her place (without success). The scene in the tower (when they get locked in) seemed a bit rushed and forced for where the relationship was, but otherwise the progression of their relationship was handled well. I'm looking forward to finishing the next installment. ★★★★

First line: Violence regrettably was out of the question.

Last line: "You make a good point," she said as he took her mouth, and it was quite a long while before they spoke again.
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Deaths = one stabbed

Murder at the Royal Albert Hall

 Murder at the Royal Albert Hall (2021) by Lee Strauss (read by Elizabeth Klett)

August 1926. A night of operatic culture and a matrimonial triumph for Felicia Gold turns into tragedy. Ginger Reed and her family--husband Inspector Basil Reed, Grandmother Ambrosia & sister-in-law Felicia (by Ginger's previous marriage), and Felicia's beau Charles, Lord Davenport-Witt--are out for night at the opera. An event prompted by a note the Dowager Lady Gold received from two old friends from finishing school days. Ambrosia agreed to come and meet them at the interval, but insisted on sitting with her family. Before the curtain rises, Charles takes center stage and publicly proposes to Felicia (delighting the young woman who loves to be the focus of attention).

But her delight turns to horror later in the evening when the Duchess of Worthington, another of Ambrosia's former friends, falls from the balcony and dies. What initially looks like accident is soon proves to be murder. When the Duke of Worthington is also killed, it seems that somebody is working out a grudge. And when Basil and Ginger try to question Ambrosia and the remainder of the "sisterhood"--just to get background on the Worthingtons, none of the ladies want to talk. Could it be that secrets of the past are just now taking their toll? And what could possibly have happened now that murder seems like the only answer? Ambrosia's diary from those years may hold some clues, but will she be willing to share it before more murders take place?

This is an interesting twist in the Ginger Gold mysteries. Through Ambrosia's diary entries, we get a glimpse of what the Dowager Duchess was as a young girl (and we see shades of both Felicia and Ginger's personalities there--even though Ginger isn't blood related). We also get a more solid mystery with clues. If the solution had rested entirely on the clues given, I would have raised my rating even more but, alas, there isn't any way that I can see (well--hear, since I listened to the audio version) that the reader could have figured out the complete motive. I suspected the right culprit--but more from context than from clues to motive. I will concede that it's possible I missed the clues. It's more difficult for me to pick them up and track them when listening rather than reading with my eyes. But I don't think I did. I'm also not sure how to interpret that last line...I'm hoping that what I think might be in store is a figment of my imagination. ★★★★

First line: The anticipation surrounding the opera at the Royal Albert Hall was palpable.

Last lines: Ginger sighed. She would make a truce with Charles that their past wouldn't come to haunt them. Would it?
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Deaths = 4 (two stabbed; two poisoned)

Murder in Hyde Park

 Murder in Hyde Park (2020) by Lee Strauss (read by Elizabeth Klett)

 It's time for the summer fashion show and, daring the weather, the organizers decide to set up the runway in Hyde Park. Ginger Reed and Feathers & Flair are major sponsors and Ginger had taken up the job of organizing the grand do. Famous designers from Italy and France--including the unconventional Coco Chanel--have models to display alongside the British design offerings. Despite Coco Chanel's calculated late arrival (anything for publicity!), the show begins smoothly...until models begin falling on the runway. It is soon apparent that things are far more serious than clumsiness. One of the models, an up-and-coming tennis champion with hopes of Wimbledon, dies and the cause is shown to be poisoning from a blow dart. Coco Chanel's one-of-a-kind bamboo parasol is missing and the bamboo shaft would have made an ideal method of delivery. And when evidence shows that the dart must have been sent on its deadly way from the direction of the famous designer's tent, the net gets a little tighter around her and her entourage. She calls in a favor from the Great War and hires Ginger to "prove my innocence." But as the evidence mounts, it begins to look like that may be an impossible ask. And then a second British tennis player is nearly killed...can anyone really believe that Coco Chanel or one of her fashion crew is out to knock off all the rising stars of British tennis?

A decent outing in the Ginger Gold mystery series. The mystery is fair--though once we clear one bit of evidence and possible suspect/s out of the way, there really isn't many options left in the suspect department. And the use of rare "froggy poison" that our culprit just happened to have access to and manage to sneak off with (supposedly before every having murderous thoughts against anyone). Seriously? I'm also not keen on the inclusion of Coco Chanel. First--I don't like her blackmailing Ginger over the knowledge that Coco has about Ginger's nom de plume during the war and the fact that she (Coco) isn't bound by the secrets act and could blab any time she wants to. Knowing what I now know about Coco's ties to Nazis in WWII, I wouldn't trust her as far as I could throw her. And, even though Ginger doesn't know what the designer is going to do in WWII, I don't see Ginger wanting to make friends with a woman who would use such knowledge as leverage (this is a "hope" Ginger expresses at the end of the case). We finally got rid of one secret service thorn in Ginger's side (two books ago), did we really need to saddle her with another? And...one final quibble: Here we have Ginger putting herself and her unborn child into harm's way again. This time pretty much on purpose--and why on earth she would trust the culprit when it was suggested that they just "shake hands and be friends" I have no idea. She's just lucky the killer had decided to aim at someone else AND had run out of "froggy poison." 

On the plus side, it was nice to see a slightly different side to the fashion industry--though a bit briefer than one might like. And the addition of tennis as a backdrop was also good. As always, the descriptions of the period and locales are detailed and intriguing. ★★★

First line: The grand fashion summer show set in Hyde Park was only one day away and Feathers & Flair was abuzz with energy.

Last line: Ginger sighed. Her natural inquisitiveness was a tremendous trait when it came to her investigative work but when it came to Ambrosia her curiosity would have to wait.
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Deaths = one poisoned 

Murder at Brighton Beach

 Murder on Brighton Beach (2020) by Lee Strauss (read by Elizbeth Klett)

Ginger and Basil take the household--adopted son Scout, sister-in-law (loosely defined) Felicia, grandmother (loosely defined) Ambrosia, and two maids--for a family vacation at Brighton Beach. And even though she's four months pregnant, often nauseous, a bit foggy-brained at times, and often tired, Ginger can't help getting involved in a mystery. When they arrive, they immediately find out that Austin Bainbridge, the brother of one of the guests, had disappeared in the last week or so. He apparently went for a swim and never came back. The authorities have determined (without a body) that it must be accidental drowning, but neither his brother nor his sister-in-law believe it. They are sure there's more to the disappearance than meets the eye. The brother had a way of backing uncertain...even sometimes shady...ventures. Could he have disappeared on purpose? Or perhaps something more dreadful than an accident has occurred?

Meanwhile, Felicia is finally making her grandmama happy by getting interested in a man with a title. Lord Davenport-Witt, is a member of Bainbridge party and a charming man. Felicia is immediately attracted and sure that this time he really is the one. (She has a history of "falling in love" at first sight...). Ginger, on the other hand, doesn't feel quite right about him (is it only pregnancy hormones talking?). She has this niggling feeling that she's met him before and there's no good vibes associated with that meeting. Felicia also has competition. Film star Poppy Kerslake has already made a claim on Davenport-Witt and is all-out to keep Felicia from knowing him better.

But...Davenport Witt is invited to join Basil, Ginger, Scout, Scout's new friend--the youngest Bainbridge, and Felicity on an afternoon sailing excursion. While Felicity meets the lord's charm with her own, Scout and his friend spy something floating near the boat. It winds up being a large trunk and Ginger and Basil suspect that they've found the missing man. They're proved right when the trunk is later opened (sans the youngsters) and now there's a murder to be solved. The local authorities ask the visiting Yard man to investigate and Basil and Ginger are off on another mysterious adventure.

The trunk belonged to Poppy Kerslake--is she involved or did someone just find her trunk to be a convenient size? When Poppy winds up dead from a tumble down the stairway and evidence points to a push rather than an accident, it looks very much like the latter. Motives begin to pile up--Austin had been frittering away the family fortune on bad deals, giving his brother a motive. He'd been throwing wrenches in the works of his latest deal, giving his business partner (also on hand) a motive. He'd had an illicit (albeit short) affair with his brother's wife, giving each of them a motive. The more Ginger and Basil dig, the more motives emerge. Ginger makes one last discovery that will solve the case...but when the murderer finds her before she can tell Basil will it actually be her last discovery for all time? [Well--of course not, she is the heroine after all. But it does look dire for a bit...]

An interesting entry in the Ginger Gold mystery series with an interesting motive for the murder. I have to say though--Ginger puts herself (and her unborn child) into danger when she really has no business doing so. She should have gone back to Basil, told him of a certain confrontation she witnessed as well as her suspicions, and let him handle it from there. But then she does have "baby brain" and isn't thinking quite as clearly as she might. I also had high suspicions of the culprit long before Ginger did (based entirely on an earlier episode when X was somewhere unexpected). Real clues though? Not until Ginger finds them in the last (dangerous) scenes. This is a fun, historical series though and I'm looking forward to the next installment with Coco Chanel. ★★★ and 1/2

First line: Mrs. Ginger Reed gripped her husband's arm.

Last line: Ginger pulled back to stare at Basil, feigning offense, "As if I could."
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Deaths = 4 (two broken necks; one shot; one mining accident)

Murder on Fleet Street

 Murder on Fleet Street (2020) by Lee Strauss 
(read by Elizabeth Klett) 

Lord George Whitmore is a well-known older society gent with a roving eye. He's also been dabbling as a "employee" of a London bank (though no one seems to know exactly what he does). Ginger Reed aka Lady Gold of Lady Gold Investigations also knows him as a fellow secret service agent during the war. When Whitmore is found dead in the bath of his latest side entertainment, it's difficult to know if the deed is related to his philandering (a vengeful wife or the mistress's wish to be rid of him, something mysterious at the bank, or his ties to the secret service. But after Ginger finds a coded message in her pocket after a chance encounter with the gentleman shortly before his death, she suspects the latter. And when Captain Smithwick, her "handler" during her war service, shows up and asks her to take up the job once more to help track down a Communist cell in London, she's proved right.

Whitmore had been on the cell's trail and had just discovered their meeting place (revealed once Ginger cracks his code) before he was killed. Smithwick insists that she pose as a French Communist contact and try to infiltrate the cell. At this point in her life, Ginger has more hostages to fate--especially with the recent adoption of Scout--and is reluctant to put them in danger. But she really doesn't have a choice. And it's going to be difficult to keep her undercover investigation from her sharp-eyed husband Inspector Basil Reed, especially since he's the one investigating Lord Whitmore's death.

Somewhat spoilerish ahead! 

So, this is one of my favorite historical mystery series. It's possibly my favorite cozy-leaning historical mystery series. That would be why the plot in this one (and to some extent Murder at Bray Manor) goes a bit against the grain. I'm sure Ginger was a terrific agent in the war and I'd even be willing to read a series of books that were based on that work. But--I'm not a huge fan of dragging in the secret service angle now. Especially now that she's married to Basil and has various family commitments--hostages to fortune as I mentioned. And I really don't like Captain Smithwick. He does redeem himself at the end of this one and (Spoiler!) I wouldn't wish his fate on anyone, but I haven't enjoyed the plots with him shoved in nearly as much. He also seems to bring a bit more violence with him when he shows up. In this one we get Ginger and Basil tied up with a bomb ready to blow them to smithereens. I'm just glad we didn't decide to somehow put Scout in danger as well.

Once the Communist cell connection was made, the solution became fairly obvious, though it was a coin toss between the two most prominent members as to who actually did the deed. Not one of the best-plotted mysteries in the series, particularly in terms of clues and red herrings, but a good enough diversion for a few days. ★★★

First line: Mrs. Ginger Reed, also known around the city of London as Lady Gold, loved a good party, and if the official adoption of her son Scout wasn't a fabulous reason to celebrate then she could think of what was.

Last line: "Oh, Basil! I can't believe we're going to have a baby!"
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Deaths = 3 (one electrocuted; one stabbed; one bomb explosion)

Murder by Plum Pudding

 Murder by Plum Pudding (2019) by Lee Strauss

Ginger & Basil Reed wind up with a houseful of guests at Christmas. First, Mr. Doyle a friend of her late father's writes to say he and his wife will be visiting England and wants to discuss some things with Ginger. So, of course, she asks them to stay for the holidays. Then her step-mother Sally and half-sister Louisa arrive unexpectedly on the doorstep--because they wanted to surprise Ginger. So, of course, she opens her home to them as well. Then, for Christmas dinner, there's Basil's mother and father (always a jolly couple--especially now that Scout's adoption has gone through. The adoption they opposed....), Dr. Gupta and his wife, and an older couple who are friends of the elder Reeds. Oh--and, quite by chance, Ginger meets the brother of Mrs. Doyle at a Christmas Eve charity luncheon and invites him as well.

The dinner is a bit tense--for reasons Ginger can only guess at--but festive enough. At least until Mr. Doyle chokes and lands face first in his second helping of plum pudding...dead. At first it looks like he might have choked on one of the items hidden in the pudding; a dreadful accident, but an accident all the same. But Dr. Gupta's examination (in his capacity as police surgeon) reveals that it's more complicated than that. There was no obstruction to the breathing passages. So, what killed the man. And more importantly...who killed him?

A fun novella mystery that's perfect for Christmas (or Christmas in April, as it happens). A bit rushed since it's a shorter work and there aren't a lot of red herrings to muddy the waters, but it's always delightful to visit with Ginger, Basil, and the other regulars. I do wish we could give annoying relatives a rest, though. That theme is getting a bit tired. ★★★

First line: The journal remained tucked away in the bottom drawer of Mrs. Ginger Reed's bedside table along with a photo of her late husband, Daniel Lord Gold.

Last line: "Let's go to the Ritz!"
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Deaths = one poisoned

Murder on Eaton Square

 Murder on Eaton Square (2019) by Lee Strauss

Basil and Ginger Reed are invited to a charity event at the Eaton Square home of Mr. Reginald Peck. There is obvious tension between Peck and his wife, Peck and his children, and even Peck and his solicitor. Peck is an invalid whose demeanor may be affected by his health and that's what the Reeds chalk it all up to. But the next day Basil is called back to the Peck home--this time as a Scotland Yard inspector. Reginald Peck has been found dead and while it is assumed that the death is natural, it soon proves to be murder by poisoning. And questioning soon proves that Peck's family had good cause to wish him dead. He wasn't a pleasant family man and they all could use an inheritance. Even his son-in-law who poses as an Indian guru and claims no interest in sordid material matters. It's just a matter of deciding whose motive was biggest and who had the best opportunity. And then Mrs. Peck dies from poisoning as well...Ginger and Basil will need to sift through motives and opportunity to discover whose behind the poisonings. 

Meanwhile, Basil's parents come for a visit and, though they themselves are fairly unconventional, they take great exception Basil & Ginger's plan to adopt Scout, Ginger's ward. Heaven forbid that their heir be a former street urchin! And they threaten to disinherit Basil if the adoption goes through. Considering how much the elder Reeds go against convention--flitting off on trips to South Africa and India and adopting a South African child (who had since been murdered), you'd think they'd be a little more flexible.

This was another solid entry in the Ginger Gold mystery series and it serves up a very interesting solution that I didn't see coming--at least I didn't see one half of the solution coming. I did figure out the other half. I like the way Ginger and Basil's teamwork plays out--Basil is the official arm of the law and Ginger plies the suspects with charm and disarming conversation. Very nicely done. A quick read with a pleasant mystery that makes for a comfortable read. ★★★ and 1/2

First line: Mrs. Ginger Reed, alias Lady Gold, had reserved a box at the London Playhouse Theatre for her family, who now mingling with anticipation and glasses of champagne in hand, waited for the signal that the production of Shakespeare's Romeo & Juliet was about to begin.

Last line: "I meant the four of us, Bossy."
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Deaths = 3 (two poisoned; one accident)

Dead Man's Mirror

 Dead Man's Mirror (Murder in the Mews; 1937) by Agatha Christie

Short collection of three novellas--one of many variations of US editions of the original collection, Murder in the Mews. We see various themes which Christie liked to use in her stories--from the clues that Poirot finds important that Riddle, Japp, and other officials tend to brush off or overlook--to the beautiful woman as victim (in the vein of Evil Under the Sun or Death on the Nile). Christie is still the master of misdirection and it's easy to look where she wants you to look rather than at the genuine clues. ★★★★

"Dead Man's Mirror": Poirot is summoned by Gervase Chevenix-Gore to come and help him with a delicate family matter. But there is no time for the men to meet because just after Poirot arrives at Hamborough Close, his host's body is discovered in the body. On the face of it, it is suicide--doors and window locked, the gun just below the man's hand, and a note with the word "Sorry." Poirot, however, believes the room tells a different story and works to prove that murder has occurred. As he tells Major Riddle, the Chief Constable, everything depends on the mirror....

"Murder in the Mews": A second locked room mystery in this collection. Mrs. Allen, a young widow, is found shot to death in her locked sitting/bedroom in the flat she shares with a friend. The gun is in her hand--but again, suicide is impossible. The gun is in her right hand--she was shot in the left temple. Though the gun is in her hand, it wasn't gripped firmly enough to produce fingerprints. And then there's the cigarettes and the enamel from a man's cufflink. Japp sees murder and thinks he's got his man. But Poirot sees other clues that point in a different direction...

"Triangle at Rhodes": While vacationing at Rhodes during the slow season, Poirot becomes involved in 
a murder resulting from a love triangle that seems to focus on Valentine Chantray--a beautiful young woman who attracts young men like bees to flowers. When Valentine is poisoned in an apparent murder gone wrong, Poirot reveals that everyone has been looking a the wrong triangle...

1st line (first story): The flat was a modern one.

Last line (last story): "She chose--to remain..."
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Deaths = 7 (four natural; two shot; one poisoned)

Hercule Poirot & the Greenshore Folly

 Hercule Poirot & the Greenshore Folly (2013) by Agatha Christie
(Originally written in 1954)

Mrs. Ariadne Oliver has been asked to devise a Murder Hunt for a village fete being held on the grounds of Sir George and Lady Stubbs. But as she works to put together an interesting little puzzle for the villagers, she gets the sense that something is not right and she calls upon her friend Hercule Poirot to come and check out the situation. He, too, finds discrepancies in the behavior of those staying/living at the Stubbs home. But neither of them thought that the Girl Guide who had volunteered to play the murder victim in the fete game would wind up fulfilling the part of a real corpse. Then Lady Stubbs disappears. But Poirot and the local police inspector have no success in tracking down the corpse or finding the missing woman. It isn't until another death occurs and Mrs. Oliver makes a chance remark that Poirot finally begins to see a pattern that leads him to the solution.

Greenshore Folly is a novella originally written in 1954 with the intention of donating it as a church fundraiser. But Christie decided to hold on to it and develop it further--turning it into Dead Man's Folly (published in 1954). All of the bones are there, but the full novel fleshes out characters and relationships far more than Christie was able to do in the shorter work. It was interesting to look at the story in its initial form and to see how Christie filled it in to create a full-fledge novel. Not quite as engaging as the later work, but a fine first draft. ★★★

First line: It was Miss Lemon, Poirot's efficient secretary, who took the telephone call.

Last line: "There are some things that one has to face quite alone..."
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Deaths = 5 (two strangled; one drowned; one natural; one in war)

Destination Unknown

 Destination Unknown (aka So Many Steps to Death; 1955) by Agatha Christie

Destination Unknown is one of Agatha Christie's non-series books. As seems to be usual for her stand-alone books, this is a foray into spy/thriller territory. This time we have scientists and chemists and medical researchers disappearing at an alarming rate. In the Cold-War-Era climate, this is particularly disturbing and England's secret service becomes especially interested when a young scientist by the name of Thomas Betterton vanishes. They suspect that his wife knows where to find him even though she does quite a good job of portraying the wife at her wit's end. When she suddenly decides to leave England for her health on "doctor's orders" they decide to keep close tabs on her.  Then her plane crashes and she isn't expected to live.

Enter Hilary Craven. Hilary's husband has deserted her for another woman and her daughter has just died from a long illness. She thinks that taking a trip will somehow change her life. But when she arrives in Morocco she finds that what she has been trying to run away from is herself...and you can't do that. Thinking that she has nothing left to live for, she goes from pharmacy to pharmacy gathering enough sleeping pills to end her life. But Hilary has caught the eye of one of the secret service men...or rather her red hair has. And he offers her a bargain...take an assignment that means almost certain death (and which might just get her interested in living again) rather than taking pills which may not be as pleasant a way out as she anticipates.

What is wanted is for Hilary to take the place of Mrs. Thomas Betterton and her particular shade of red hair makes her the perfect candidate. The scientist's wife is definitely not going to survive her injuries and Hilary is to take on her persona. If anyone contacts her about joining her husband, she is to follow along and lead the agents to where the scientists have been taken. It will be dangerous and she's going to have to be letter-perfect in her role. Will she do it?  Hilary decides she will.  Off towards a destination unknown.

Generally speaking, I haven't been as big a fan of Christie's stand-alone novels as I am of Poirot and Miss Marple and Tommy & Tuppence. The one big exception is And Then There Were None (aka Ten Little Indians, etc), which I think is absolutely awesome. But this one is pretty darn good. Christie loves to take the standard of various plots in the mystery/detective world and give them her own little twist. Here she does it with the "scientists defecting to the other side" motif. Only....are they? Or, rather, are they going where they think they are and for the purpose that they believe in? That's the real question.

Hilary Craven is a very intelligent and likeable character. It is easy to see why she might have been full of despair, but being the type of woman she is, it's also easy to see why she would take up the challenge offered her by Jessop. It's not that she despises life in general--she just wants a reason for living. As she says to herself when contemplating suicide:

The reality of herself and what she could bear, and what she could not bear. One could bear things, Hilary thought, so long as there was a reason for bearing them. (p. 31)

And Jessop provides that for her. The plot--her taking on another woman's persona, especially with such a short time to learn her part--may be a bit shaky, but it's got enough grounding to make the reader willing to believe it. There are other interesting characters--including Jessop; Andrew Peters, a young American scientist; and Mrs. Calvin Baker, an American tourist who's not quite what she seems. Mrs. Baker may not be on the side of the angels, but I did enjoy the persona she embodied. A fun and quick read. ★★★★

First line: The man behind the desk moved a heavy glass paperweight four inches to the right. [sound a bit like Poirot, needing things positioned just so]

W: Nobody's so gullible as scientists. All the phony mediums say so.  Can't quite see why.

J: Oh, yes, it would be so. They think they know, you see. That's always dangerous.

~Wharton; Jessop (p. 3)

"I'm handicapped," said the man behind the desk bitterly. "I never believe anybody." ~Jessop (p. 5)

I don't go in for being sorry for people. For one thing it's insulting. One is only sorry for people if they are sorry for themselves. Self-pity is the biggest stumbling block in our world today.

~Jessop (p. 53)

E: When one has at last reached freedom, can one even contemplate going back?

HC: But if it is not possible to go back, or to choose to go back, then it is not freedom!

~Ericsson; Hilary Craven (p. 120-1)

Last line: "You Frenchmen are so well-read," said Jessop.
****************

Deaths = one natural; one plane crash; one poisoned

An Heiress's Guide to Deception & Desire

 An Heiress's Guide to Deception & Desire (2021) by Manda Collins

Miss Caroline "Caro" Hardcastle, last seen as sidekick to Lady Katherine Eversham (Bascombe as was then) in A Lady's Guide to Mischief & Mayhem, takes center stage in this second book in the Ladies Most Scandalous series. Caro's good friend, actress Effie Warrington, has been kidnapped and Caro and Kate set out to find out what has happened to her. Kate's husband, Inspector Andrew Eversham, is also on deck to help out--as is Lord Valentine Thorn, cousin to Effie's betrothed. Frank Thorn, was beaten soundly when two men accosted Frank and Effie and drove off with the actress in her carriage.

The involvement of Val, just recently made Viscount after the death of his elder brother, is (pun fully intended) a thorn in Caro's side. She and Val had been romantically involved until the Thorn family made clear that the daughter of a businessman (no matter how successful and no matter how large her inheritance might be) was no match for someone of Thorn's rank. The family's opinion didn't matter near as much as the fact that Val didn't stand up for her at the time--something Val has regretted from the moment it happened. Both still have feelings for the other, but both are too proud to say so...yet. But having to work together so closely to help two people they each care about may provide the means to patch up their differences.

But first....to find Effie. And then Frank disappears as well and the hunt is on for two missing persons instead of just one. There are two possible threads to follow. First, that one of the group of admirers who swarmed around Effie after her theatre performances decided to make her his own--even if he had to kidnap her to do so. Or, second, Effie, who had been raised by foster parents, was trying to discover her true parentage. Clues seem to indicate that she had been successful and that she may have a claim upon a substantial inheritance. Is there someone whose position is in danger? And are they willing to kidnap...or worse to keep that position. In either case, Frank is just collateral damage. Will our heroines and heroes find the pair in time? And will Caro and Val find true love along the way?

So, this series is heading into cozy romantic mystery fluff territory. The solution is more obvious this time around and there are fewer alternate possibilities (at least fewer of substance). But the writing is good as are the characters and the interactions between the characters are fun. I'm still amazed at how many progressive men and women are running about int he mid-1800s. Frank and Effie are in the progressive club--and we've just been introduced to another couple, who I am willing to bet will feature in their own installment soon. If you like light mysteries with romance and aren't hung up on historical accuracy when it comes to progressive views, then this may just be a series for you. ★★★ 

First line: "They're behaving as if  I haven't been on my own, managing my life, for the year they were in Paris."

Last line: And if they were lucky, there would be a million other perfect moments left to come.
**********************

Deaths = 5 (four natural; one drowned)

The Murder of Roger Ackroyd (audio novel)

 The Murder of Roger Ackroyd (1926) by Agatha Christie
  (read by Hugh Fraser)

My synopsis of the story (for those who have not yet read it...and why not, I ask you): 

The Murder of Roger Ackroyd actually begins with the death of Mrs. Ferrars, widowed within the last year. The rumor mill of King's Abbot had been grinding away--envisioning wedding bells between Mrs. Ferrars and the wealthy Roger Ackroyd. But Mrs. Ferrars is found dead from an overdose of veranol in what is first supposed to be an accident, but the village grapevine suspects is suicide. Dr. James Sheppard, our narrator, is confronted by his  sister when he returns home after the discovery.

My sister continued: "What did she die of? Heart failure?"
"Didn't the milkman tell you that?" I inquired sarcastically.
Sarcasm is wasted on Caroline. She takes it seriously and answers accordingly.
"He didn't know," she explained. (p. 3)

 When Sheppard insists on accident, Caroline rejects the idea. She's convinced the woman killed herself out of remorse. Because obviously she killed the husband who was cruel to her. 

Then that evening Roger Ackroyd is found dead--stabbed to death by his own decorative dagger and rumors are flying about blackmail. But then there is also the fact that Ackroyd's nephew, known to have disputes with his uncle over money, has disappeared from the scene. And what about the maid who gave notice that very afternoon? And the mysterious stranger who was looking for Ackroyd's home at about the time of the murder? And who made the phone call to the doctor that brought him to Ackroyd's house and resulted in the discovery of the crime?

Fortunately for King's Abbot, a funny little foreigner who "looks like a hairdresser" has come to the countryside for his retirement. A foreigner by the name of Hercule Poirot. He's sure to get to the bottom of the mystery, for as he tells Ackroyd's niece (who has asked him to investigate): What one does not tell to Papa Poirot he finds out.

If you would like to see my full review of the mystery, please follow the link above, but be aware that there are spoilers. This review is devoted to the audio edition which I borrowed from Hoopla through the local library. Hugh Fraser is my favorite reader for Christie novels which do not feature Miss Marple. I think he is perfect as Captain Hastings in the Poirot television series and even though Hastings does not appear here (except as Poirot references him) it is still delightful to listen to Fraser tell us the story of Poirot and murder in King's Abbot. He manages to give each character a bit of distinction so you aren't confused about who is speaking--even when there's a longer bit of dialogue. Reading--or in this case, listening to--an Agatha Christie novel is a comfort read for me. And it was fun to settle in and let Fraser's words flow around me. ★★★★★
 

First line: Mrs. Ferrars died on the night of the 16th-17th September--a Thursday. 

Last line: But I wish Hercule Poirot had never retired from work and come here to grow vegetable marrows.
*********************

Deaths = 3 (two poisoned; one stabbed)

Portrait of a Nightingale

 Portrait of a Nightingale (2024) by Manda Collins
~Read by Gemma Dawson

Synopsis from Goodreads: Miss Penelope Monckton, just returned from nursing with Florence Nightingale’s in Crimea, has come to the country estate of one of the most scandalous men in England, Lord Rickarby—nicknamed Rakerby—to collect a bequest from his late wife, her childhood friend Millie. But something about Millie’s death doesn’t sit right with Penny, and she’s determined to use this visit to learn all she can about the events leading up to her dear friend’s death.

A celebrated painter, Joss, Lord Rickarby, knows Miss Penelope Monckton only from the letters she sent to his late wife during her time nursing in a war zone. But what he knows, he greatly admires. Since Millie’s death, however, he’s been under a cloud of suspicion that only grows darker with every new tabloid story—doubtless Miss Monckton believes the worst of him too. But when he finally meets the intrepid nurse, it’s while he’s lying on the forest floor bleeding from a gunshot wound from an unknown assailant.

With the shooting having cleared Joss as a suspect, Penny is now determined to work with the all too handsome earl to find out who killed Millie. But with every clue they uncover, a different picture of the killer begins to emerge—and it’s clear that instead of Millie’s circle during her marriage, the culprit comes from the world of her childhood—a childhood spent with Penny by her side. And as the healer and the hellion grow more entangled, the body count grows. Can this unlikely pair catch the killer before he puts a permanent end to their budding romance?

My Take:

Collins writes very interesting and engaging characters. I thoroughly enjoyed meeting Penelope and Joss, as well as Joss's sister and, most particularly, his mother. These are characters that I would like to spend more time with, but I don't get the sense that Collins intends to make them part of a series.The mystery kept me interested, despite (as mentioned below) a reader who was not interesting except when characters were speaking. There were plenty of red herrings--enough that I was on wrong the track entirely. I went far enough afield that I'm not sure I would have come to the right conclusion even if the spoiler below had been handled properly. The plot was wrapped up nicely, though I'm not completely sold on the motive--especially since the culprit's instability on certain matters wasn't really established. ★★★ and 1/4

Just a few quibbles: ~Again, if there were as many progressive, independent women and supportive men running around in Victorian times as we've got in historical mysteries and romances, women would be much further ahead now than we are today. ~The element of coincidence is huge here. Almost too big to believe. ~Our reader seems to think the portions of the book that are not dialogue should be as boring and monotonous as possible. She's obviously capable of reading with energy and emotion because it comes into play whenever characters are speaking. But she makes a quite interesting mystery seem as dull as ditchwater. A bit of enthusiasm would go a long way to making the audio version more enjoyable. Fortunately the mystery captured my attention despite Dawson's best efforts to discourage me and I was caught up in trying to figure out who was trying to do in Lord Rickaby. ~This quibble is based on my preference for Golden Age mysteries and fair play. [spoiler coded in ROT13] TNQ ehyrf fnl gung gurer fubhyq or ab gjvaf be ybat-ybfg eryngvirf gung gur ernqre unfa'g orra nqrdhngryl cercnerq sbe. Eboreg (bhe ivyynva) fcevatf n arire-orsber-zragvbarq gjva ba Crarybcr (naq gur ernqre) va uvf pbasrffvba ng gur raq. Gurer'f ab jnl jr pbhyq unir svtherq bhg jub gur xvyyre ernyyl jnf.

First line: A shower of birds burst into flight when the shot rang out.

Last line/s: This time she kissed him and they were quiet for a good long while.

Deaths = 3 (one shot; one fell from height; one poisoned)

A Lady's Guide to Mischief & Mayhem

 A Lady's Guide to Mischief & Mayhem (2020) by Manda Collins

England 1865: Lady Katherine Bascomb is a rather unconventional Victorian woman. She not only owns a newspaper, thanks to her husband's early demise, but she also (gasp!) writes columns. When a serial killer who has been dubbed the "Commandments Killer" by the press goes uncaptured by Scotland Yard after four murders, she and her newly found friend Caroline "Caro" Hardcastle decide to cowrite a column to investigate the latest murder. A column they plan to develop into practical advice for ladies about how to stay informed and protect themselves. They realize that not only has the killer been leaving cards with one of the Ten Commandments on the bodies, but it can be proved that each victim was "guilty" of breaking that particular commandment. Their investigation finds a young barmaid whom the Yard managed to miss interviewing and who may have seen the killer. The ladies write their article and the Yard immediately finds a man matching the description and arrests him....

Except Inspector Andrew Eversham, who was relieved of duty on the case because his superior was upset that mere reporters found what he couldn't, doesn't believe the right man is behind bars. And neither does Lady Bascombe, for that matter. When they meet (in the fracas that follows the new inspectors announcement to the press), he's understandable upset with her over what he regards as interference. She points out to him that it wouldn't have been necessary if he'd done his job. They part on less than friendly terms.

Lady Bascombe is invited to her friend Lord Valentine's country estate for house party--she plans on enlisting his aid to get the Yard to investigate the murders more thoroughly (knowing that the men in charge will listen to a titled man before listening to a woman's "fancies" about justice). She doesn't expect irrefutable proof that the wrong man has been jailed to appear on a country walk near the estate. But that's just what happens and Katherine is the one to find it. Another murder and another card with a commandement. And guess who the Yard sends to investigate? Inspector Eversham. Those two are sure to lock horns....unless they realize that they're on the same side and actually....the other person really isn't that annoying. In fact, they're kind of attractive....

First observation: If there really had been as many progressive/headstrong women determined to live outside the conventions in the 18th and 19th centuries as historical mystery writers have strewn about, then there would have been a social revolution much sooner with more far-reaching results. Especially, if there had also been as many men who were so willing to support these women. I mean, they would have been tripping over each other all the time. 

Now that I've gotten that out of the way....This is a fun, nicely plotted mystery. Did I spot the culprit? Yes (Qualified, yes, that is. Can't explain or that would be a spoiler.). Did I completely figure it out? No. And that's satisfying. I figured out just enough to be able to pat myself on the back and enough was left for the author to explain that I got a bit of surprise. I like Katherine and Andrew together and Caro and Lord Valentine are good supporting characters. It's hard to believe that a mystery featuring serial killings could be cozy and done with a light touch, but Collins achieves this. There are more in this series and I've already put the next one on hold at the library. ★★★ and 1/2

First line: If Sir Horace did not desist from his asinine talk about what constituted appropriate conversation for a lady, she would do one of them an injury, thought Lady Katherine Bascomb, hiding her scowl behind her fan.

Last line: Eversham was sure he was up to the challenge.
*****************

Deaths =  10 (six stabbed; four natural)

Masterpieces of Mystery: Amateurs & Professionals

 Masterpieces of Mystery: Amateurs & Professionals (1978) selected by Ellery Queen

In the 1970s Ellery Queen put together a set of red leatherette books featuring the best of the best short stories and novellas--a large number of which appeared in the Ellery Queen Mystery Magazine. This particular edition features amateur sleuths and professionals, ranging from hotel manager Pierre Chambrun to the dedicated cops at the 87th Precinct. Of course, in any collection it would be an extraordinarily difficult task to pick stories where absolutely everyone thought every story was the all-time best. And it's true here. My favorites are the Chambrun (even though I spotted the answer early), "The Stripper," "The Happy Days Club," "Smash & Grab," "Cause for Suspicion," and "The Botany Pattern." These are all nicely plotted with good clues that the reader can spot. The rest are decent mysteries--so no duds--but not quite as fair or interesting as those mentioned. ★★★ 3/4

"Chambrun & the Electronic Ear" by Hugh Pentecost (Judson Philips): Chambrun is disgruntled to find that the FBI is playing spy games in his hotel. He's even more upset when wire-tapping leads to murder. [one broken neck]

"The Poisoned Dow '08" by Dorothy L. Sayers: Montague Egg, wine salesman extraordinaire, must help the police discover how a man was poisoned using one of Egg's firm's bottles of wine. [one poisoned]

"The Stripper" by H. H. Holmes (Anthony Boucher/William Anthony Parker White): Jack the Stripper, a serial killer who strips before he kills, is terrorizing a southern California town. Sister Ursula's friend, Professor Flecker, thinks he may know who it is and writes a cryptic letter asking her to put him in touch with her police friend, Lieutenant Marshall. But he's killed before he can speak with Marshall. If Sister Ursula can decipher Flecker's cryptic last message, she will be able to name the murderer as well. [one stabbed--plus others not named]

"The Affair at the Bungalow" by Agatha Christie: Jane Heiler, a beautiful actress, tells this story. She presents it as having happened to "a friend," but the others are quite sure that the story is Jane's own. While on tour with a play, she was called in by the police to be identified by a young man who claimed she had written a letter and requested his presence at a certain bungalow which belonged to another actress. He had met her there and then been drugged.  A robbery had taken place at the bungalow and he is being held as a suspect. But when Jane arrives at the police station, the man says that she isn't the right woman. What really happened? Miss Marple knows...even though she says she doesn't while the group is all together.

"Wally the Watchful Eye" by Paul W. Fairman: Could also be titled "How to Solve a Murder in Two easy lessons. Wally is a clerk in the local grocery store who longs to be a private eye. He signs up for a correspondence course on detection and solves a murder disguised as suicide before completing all his lessons. [one gassed]

"The Happy Days Club" by James M. Ullman: A mutual fund company gets suspicious when the Happy Days Club in Iowa seems to be following their buy and sell movements--almost before they make them. They hire James & Bennett, couple of industrial espionage men, to find out how it's done.

"They Can Only Hang You Once" by Dashiell Hammett: Sam Spade pays a call on the uncle of his client--a lawyer who thinks his cousin is putting pressure on the old man. But before Spade can fulfill his commission there is murder in the house. [two shot]

"Wild Goose Chase" by Ross Macdonald (Kenneth Millar): An anonymous woman hires Lew Archer to attend a trial--to use his judgment about how the jury reacts to the defendant. If they appear to think him guilty, then she just might have to give evidence...evidence that could damage her. [two shot; one car accident]

"File #1: The Mayfield Case" by Joe Gores: A rookie investigator gets a little too emotionally involved with a case of a defaulted loan. [one stabbed]

"About the Perfect Crime of Mr. Digberry" by Anthony Abbot (Fulton Oursler): Mr. Digberry is a master wigmaker who seems to be the latest victim of "The Driller," criminal who is extorting money from various well-known people. But when it's noted that Digberry's escapades with The Driller coincided with the murder of one of Digberry's most famous clients, he immediately comes under suspicion. Thatcher Colt gets to the bottom of the surprising case. [one shot]

"The Devil Is a Gentleman" by Charles B. Child: Inspector Chafik J. Chafik of the Baghdad police investigates the murder of the most recent admirer of a beautiful dancer who is suspected of being a spy. [one stabbed]

"A Winter's Tale" by Frances & Richard Lockridge: A miserly old man who was thought to have died from a fractured skull is found to have froze to death. Captain Heimrich must figure out how he froze to death in an 80 degree house. [one froze to death]

"Clancy & the Shoeshine Boy" by Robert L. Pike (Robert L. Fish): Lt. Clancy investigates the murder of an eccentric old man who was rumored to have a stamp and coin collection. But was it worth killing for? Along the way he reforms the grandson of a shoeshine "boy" who just happens to give him the one clue he was missing. [one beaten to death]

"Smash & Grab" by Henry Wade (Sir Henry Aubrey-Fletcher: There's a rash of smash and grab robberies taking place across London and when the latest hits a jewelry store, Detective Constable John Bragg, fresh from the Downshire countryside, has his chance to make his mark at Scotland Yard.

"The Motive" by Ellery Queen (Dannay & Lee): When the son of a local farmer is hit on the head and left in a ditch, the town is upset that the sheriff's deputy assigned to the investigation can't find the killer--especially when other deaths follow. But how do you track a killer who's left no clues and seems to have no motive? [three hit on head]

"Cause for Suspicion" by George Harmon Coxe: Dr. Paul Standish refuses to believe that a woman who tried to kill herself once has finally succeeded. Everything tells him that this time it's murder. [one poisoned]

"The Stollmeyer Sonnets" by James Powell: A straight-up farce about the cold war spy era where stamps serve as stand-ins for the arms race and spies aren't above a little blackmail over spicy sonnets. Our hero--a Canadian Mountie who reminds me of Dudley Do-Right--manages to save the day despite himself.

"The Botany Pattern" by Victor Canning: The Department of Patterns looks for patterns that others don't see. Viaur is new to the department but immediately spots a connection between a series of murders. Six men have died and four more are on the list--will Viaur and Papa Grand (head of the department) be in time to save the last four? [one shot; one stabbed; one blown up and others unnamed]

"H as in Homicide" by Lawrence Treat: Two women, who have just met, head west in a car. They stop for the night in a small town--where one of the women's ex-husband just happens to live. She winds up strangled. Did he do it? And, if not, who--and why? [one strangled]

"Nightshade" by Ed McBain: It's just a regular evening at the 87th Precinct. Steve Carella and the boys look into the killing of a young actress, the bombing of a black church, the stabbing of a family....and ghosts who steal jewelry. [five stabbed; one shot]

First line (1st story): Mrs. Veach, the motherly-looking chief operator on the switchboard at the Beaumont Hotel was the first one to detect something irregular about the telephone in Room 912.

Last line (last story): "You can't win 'em all," O'Brien said.

A Pocket Full of Rye

 A Pocket Full of Rye (1953) by Agatha Christie

London businessman Rex Fortescue, a wily wheeler-dealer, has stepped on a lot of toes on his way up the financial ladder. But could any of the people he bamboozled have had access to his morning tea? 

Not long after Fortescue's glamorous secretary brings him a cup of his special blend in his very special china tea cup, he gasps out, "What did you put in the tea?!" and falls unconscious. An ambulance (or two) is called in and so is Inspector Neele of the Yard (though Fortescue hasn't died...yet). Neele begins asking questions of the office staff while waiting to hear from the hospital about the man's condition. When the call comes, it's to tell Neele that Fortescue is dead--most certainly poisoned and the doctor is nearly certain that it's taxine poisoning. Taxine is slow-acting (so the tea is not the culprit) and comes from yew leaves. And the name of Fortescue's home is Yew Lodge, named so because of the yew trees all about.

So...it would seem that the poison was administered at home. When it's discovered that his widow had a lover and anticipated inheriting a tidy sum upon Fortescue's death, she becomes the prime suspect. At least until she winds up poisoned as well. Then Inspector Neele and Sergeant Hay find themselves needing to dig deeper. One of the clues found upon Fortescue was a handful of rye in his pocket. The connection is made that Rex (meaning "king") was in his counting house when he became ill and that his "queen" was in the parlor having bread (scones) and honey when she died. Is this merely a case of an unbalanced mind using the old nursery rhyme to select their victims. When the maid is strangled while in the garden and found with a clothes pin "nipping her nose," it would certainly seem so. And when Miss Jane Marple arrives (the maid Gladys had previously been in Miss Marple's service), she tells Neele to look for blackbirds--for their most certainly must be blackbirds.

And there are...dead blackbirds were left on Fortescue's desk at home. Dead blackbirds were stuffed into a pie. And at one point Fortescue had swindled a man over something called the Blackbird Mine and possibly left him to die in Africa. The man's widow had sworn vengeance and vowed to train their children to seek revenge if she couldn't get it. Has vengeance come from that quarter? Miss Marple manages to get into the house and ask the questions that the police can't and she helps Neele see that there is more to a nursery rhyme than meets the eye.

Rex Fortescue isn't the only wily one connected to this story. The author was pretty wily herself. I read all the Christie mysteries that the Wabash Carnegie Library had back when I first discovered her (nearly 40 years ago!) and I'm sure this was one of them. And she fooled me again. I thought for sure I remembered which red herring I fell for when I first read it and, by golly, she wasn't going to get me with that again. And she didn't. But I fell for another one. She's that good. And that's one of the reasons why I can reread her books with such enjoyment. If it's been long enough since the last reading, then there's a good chance I'll be mystified all over again. Great fun!

The one small quibble I have is that Miss Marple shows up so very late in the book. Of course, she's tied to the maid, so that makes sense and there really isn't any other way to make her presence plausible--but if it's going to be a Miss Marple mystery, I'd like to see more of her. Even with that small disappointment, it's still a great read and a great mystery. ★★★★

First line: It was Miss Summers turn to make the tea.

Last line: And then, displacing both of these emotions, there came a surge of triumph--the triumph some specialist might feel who has successfully reconstructed an extinct animal from a fragment of jawbone and a couple of teeth.
***************************

Deaths = 5 (two poisoned; one strangled; one in war; one shot)

2026 Six Shooter Challenge: My Sign-Up

 

I'm heading out to the shooting range again with Rick and his Six Shooter Mystery Reading Challenge in 2026. The goal is pretty straight-forward--read six books on the same target (by the same author) to complete your round. Any targets started in 2025 but not yet complete will carry over to the new year, so Rick's page won't be fully ready to go for a while. But you can check out the current details at the link above.

As with his other challenges, Rick doesn't ask for a commitment. But I will set a personal goal in order to claim the challenge complete for 2026. I've been setting it at four targets--and I will be aiming for the same in the new year.  Likely targets will include Agatha Christie, the Lockridges, and Carolyn Keene. Other authors TBD.

Agatha Christie

1. A Pocket Full of Rye (1/25/26)

2. "The Affair of the Bungalow" (1/31/26)

3. The Murder of Roger Ackroyd (3/24/26)

4. Destination Unknown (4/3/26)

5. Hercule Poirot & the Greenshore Folly (4/9/26)

6. Dead Man's Mirror (4/11/26)

Manda Collins

1. A Lady's Guide to Mischief & Mayhem (3/7/26)

2. Portrait of a Nightingale (3/17/26)

3. An Heiress's Guide to Deception & Desire (3/25/26)

4. A Spinster's Guide to Danger & Dukes (7/24/26)

5. A Governess's Guide to Passion & Peril (7/27/26)

6. A Wallflower's Guide to Viscounts & Vice (8/6/26)

Lee Strauss

1.Murder on Eaton Square (4/20/26)

2. Murder by Plum Pudding (4/22/26)

3. Murder on Fleet Street (6/23/26)

4. Murder at Brighton Beach (7/9/26)

5. Murder in Hyde Park (7/13/26)

6. Murder at the Royal Albert Hall (7/21/26)

Target 4

1.

2.

3.

4.

5.

6.