A Matter of Accent (1943) by David Keith (Francis Steegmuller)
Ted Weaver is an art gallery owner who is semi-confined to a wheelchair after a car accident which claimed the lives of his wife and daughter. It was not so much the accident itself, but the trauma which exacerbated his polio symptoms. He can get around with leg braces and crutches when necessary, but only with great effort. At the beginning of the story, Ted is approached by his old friend Gail Morris--now Mrs. Dumont) who has been a fashion editor at the French magazine Mode and now heads up a French section of a new governmental radio broadcast unit. She knows that Ted has exemplary skills in French and has come to ask him to take over as their broadcaster. Ted, who realizes with his physical limitations that he will not be allowed to fight if the U.S. should join the war, is eager to help.
But he has barely begun to research the next broadcast material when he begins receiving threatening letters--letters that tell him to abandon the job before it really beings. Who knows about the job and why has he been threatened when the previous broadcaster was not? And...when Ted ignores the warnings and begins broadcasting anyway...who tries to kill him (twice)? After a second attempt (through poison), Ted is urged to give up the position (and, in fact, Gail essentially fires him). But it is only then that Mademoiselle Maupoussin (the previous broadcaster) is shot and killed? Why now?
In addition to Ted, Gail, and Mlle. Maupoussin, we have other supporting characters: Roland Dumont, Gail’s husband, a likeable, native-born Frenchman who had also had a gallery (in France). He is befriended by Ted and permitted to sell some of his stock from 2 Ted’s gallery. Mrs. Belwood, Ted Weaver’s unctuous and modestly skilled secretary, infatuated with all things French, particularly French nobility. The Marquise de Verdurin, seemingly a “noble dame,” living near Park Avenue and who runs a salon in the style of Paris. Pierre, originally from Paris, now in New York; Ted’s cook, valet, chauffeur, friend, all around personal aid, and--when necessary--body guard. Other characters include Inspector Johnson who serves the broadcasting unit and who seems to have broad powers; private detective Hacker, who is hired by Roland Dumont, to find his missing artwork; Professor Haley, a linguist who gives approval to all of the broadcasting unit's radio announcers, "Goldstein," a German picture peddler, Pierre’s friend André who works in the Marquise's salon, and the waiter Hummel who often brings Ted his lunch at the art gallery.
There is much underhanded dealings (the peddling of stolen artwork, a gambling house, etc), several spies and French collaborators, and--of course--murder! This is also one of the few mysteries set in wartime that actually mentions the outbreak of war in America. A whole section devoted to the announcement of the attack on Pearl Harbor and the immediate aftermath. If I have one complaint about this one, it's how long it takes to pick up steam. Once we get to the murder of Mlle. the book finally gets going, but it's a long time coming. There is such a long build-up. But the grand finale is totally worth it and I absolutely did not see a particular wrinkle coming. So good surprise ending to balance the slow start. ★★★
1st line: I was filled with surprise and pleasure late that afternoon a few weeks before Pearl Harbor when Gail Morris, dressed like the fashion editor she was, suddenly walked into my gallery.
Last line: Maybe I'll be getting a letter from Washington one of these days: who knows?
Deaths = 5 (two car accident; three shot)


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