Saturday, April 19, 2025

Who Will Remember


 Who Will Remember (2025) by C. S. Harris (Candice Proctor)

Synopsis (from the book flap):  August 1816. England is in the grip of what will become known as the Year Without a Summer. Facing the twin crises of a harvest-destroying volcanic winter and the economic disruption caused by the end of the Napoleonic Wars, the British monarchy finds itself haunted by the looming threat of bloody riots not seen since the earliest days of the French Revolution. Amidst the turmoil, a dead man is found hanging upside down by one leg in an abandoned chapel, his hands tied behind his back. The pose eerily echoes the image depicted on a tarot card known as Le Pendu, the Hanged Man. The victim—Lord Preston Farnsworth, the younger brother of one of the Regent’s boon companions—was a passionate crusader against what he called the forces of darkness, namely criminality, immorality, and sloth. His brutal murder shocks the Palace and panics the already troubled populace.

Sebastian St. Cyr, Viscount Devlin, learns of the murder from a ragged orphan who leads him to the corpse and then disappears. At first, everyone in the dead man’s orbit paints Lord Preston as a selfless saint. But as Sebastian delves deeper into his life, he quickly realizes that the man had accumulated more than his fair share of enemies, including Major Hugh Chandler, a close friend who once saved Sebastian’s life. Sebastian also discovers that the pious Lord Preston may have been much more dangerous than those he sought to redeem.

As dark clouds press down on the city and the rains fall unceasingly, two more victims are found, one strangled and one shot, with ominous tarot cards placed on their bodies. The killer is sending a gruesome message and Sebastian is running out of time to decipher it before more lives are lost and a fraught post-war London explodes
.

Sebastian once again is on the trail--looking for the real culprit behind the killings so the crown (Lord Jarvis) won't just pick a suspect (any suspect--preferably nobody important) and hang him them just to make sure the populace doesn't get any more riled up than they already are. Since Sebastian's friend Hugh Chandler is a public outcast (despite being a war hero) because he ran off with Lord Preston's wife, everyone thinks he'd make a great scapegoat. It doesn't help that Preston refused to divorce her and that her dowry portion will revert to her now that Preston's dead. And, given that Hugh isn't telling Sebastian everything he knows, even Sebastian isn't sure the man didn't do it. But even the magistrate in Jarvis's pocket has to admit that Hugh doesn't really have a motive to kill the other victims...or to leave behind tarot calling cards.Of course, Sebastian does figure it all and assures that the innocent won't pay for the guilty person's crimes. 

I've mentioned this before, but it bears repeating: This is my favorite (current) historical mystery series. It's the one series that I am on the edge of my chair waiting for the next one to come out and then read it as soon as I can get my hands on it. [And then I have to wait a whole year for the next one...] It's a bit darker and more brutal than I generally care for, but I like the characters so much that I don't mind. Sebastian's sense of justice and investigating on behalf of those who might suffer at the hands of the powers that be really appeals to me and I enjoy Hero's efforts at bringing social injustices to the public eye. Speaking of Hero--I'm not a fan of this mysterious person who seems out to get her and if (in a future book) Sebastian loses another person he cares about, I may just lose my mind. He and Hero are so good together that I will be very upset if something happens to her. [I'm still scarred by Elizabeth George and her treatment of Inspector Lynley.]

I'm also sitting here tapping my foot, waiting for Sebastian to finally find out for certain who his father is. There have been all sorts of hints and mentions of a certain person...but is it really him? Will we ever find out? I hope so.

This is a fantastic series. Great characters. Well-done research and I learn something new about the time period every time. Harris manages to teach her readers about history without info dumps and without detracting from the plot. Good mystery plots mixed with a learning experience is a win in my book. ★★★★ and 1/2

First line: The boy stood with his thin shoulders hunched against the cold, his hands shoved deep in the pockets of his ragged coat.

Last line: But the French priest simply rested his forefinger beside his nose and winked.
*******************

Deaths = 12 (one hit on head; two shot; two natural; two stabbed; one beheaded; two drowned; one strangled; one neck broken)

 

 

Blood & Circuses


 Blood & Circuses (1994) by Kerry Greenwood

Things are quiet at 221B The Esplanade in St. Kilda. Too quiet. All of Miss Phryne Fisher's household are off doing things and Phryne has the house to herself. And she is bored and out of sorts. There's no mystery to be solved and no beautiful young men available as a pleasant diversion. And then....her friends from the traveling circus arrive at her door. Disturbing things have been happening. A prize horse in their trick-riding act has been poisoned. Various pieces of equipment have been sabotaged. Long-standing acts are starting to think about leaving the circus. The owner of the circus has brought in the mysterious Mr. Jones who seems to have a strange hold over Mr. Farrell. Samson and the others don't like what's going on and want Phryne to "run away and join the circus" with them and try to ge tto the bottom of things. One of the trick riders has fallen and hurt her ankle and if Phryne can learn to stand on a running horse, she'll be able to come along undercover.

Meanwhile, Inspector Jack Robinson has a murder on his hands. Mr. Christopher, a hermaphrodite with the circus, has been killed in the boarding house where he stays while near St. Kilda. At first it looks like a simple case. The door was locked and the only way in or out is through a window that only a trapeze artist could have accessed. And there just happens to be a former trapeze artist in the house. And she just happens to have murdered someone before... But the constable who was first on the scene doesn't believe she did it and the evidence seems a little too pat. Before long both Jack's and Phryne's mysteries are converging and it all ends with a grand finale under the big top....well, close enough.

I've often called Phryne Fisher the grown-up's Nancy Drew. Like Nancy, she has all the money in the world to do whatever she likes--take trips, have fabulous clothes, etc. She's a super-woman who can drive a fast car as well as Mario Andretti and can fly a plane like Charles Lindbergh. If she needs to learn a new skill, then, by golly, she can--in record time. This time we have Phryne in a very adult version of the Nancy Drew title The Ringmaster's Secret. There are a number of parallels. Both young women go undercover as bareback riders to investigate circus secrets. Both wind up locked in a wild animal's cage by the bad guys. Of course, Nancy would never wind up naked in the cage. Or nearly be raped by the chief bad guy. Or recover in a tent snuggled between two of her sometime lovers. That's where the very adult part comes in.

The odd thing about this entry in the Phryne mysteries is that it takes our super-woman and in the effort to make her seem less so, Greenwood strips away a lot of what makes her heroine so good. Her confidence--in shreds at the end. Her self-reliance--apparently she never had any. This is a fish out of water story where the fish is really gasping. Phryne has always, like a cat, landed on her feet. She handles bad guys with aplomb. She knows what being without and being on her own is like (according to her back story) because she grew up poor and had to rely on herself at various points when young and in the war. And suddenly in this story she doesn't have any of that backbone in her makeup? I'm not buying it. The mystery itself is good. I liked the solution to the locked room murder. I liked the way Lizard Elsie comes up trumps--saving not only the constable at one point but Miss Parkes, the unjustly accused trapeze artist. But I can't say I like what's been done with Phryne much. Let's get her back to her usual haunts so she can be more like herself. ★★ and 1/2

First line: Mrs. Witherspoon, widow of uncertain years and theatrical background, was taking tea in her refined house for paying gentlefolk in Brunswick Street, Fitzroy.

Sergeant Terrence Grossmith was huge. His expanse of blue tunic was as wide as a tent. He had thinning brown hair and large, limpid brown eyes, which seemed to hold an expression of such placid benevolence that hardened criminals had occasionally found themselves confessing to him out of a sense of incongruity. (p. 16)

Last line: "And I'm glad to be going home."
**********************

Deaths =  6 (one stabbed; one poisoned; one fell from height; two shot; one natural)

The 1952 Club

 

Twice a year Stuck in a Book and Kaggsy's Bookish Ramblings sponsor a group book club where those who would like to read books from the declared year. This October, the chosen year is 1952-which will take me into Golden Age mystery territory (Pre-1960). As I prepare for next week's reading, I thought I'd take a look at what 1952 books I've already read and list those that are on the TBR mountain range and could be used for the event.

Here are the books from 1952 that I've read and reviewed previously on the Block:
 The Widow of Bath by Margot Bennett
Beverly Gray's Island Mystery by Clair Blank
Imagination Unlimited by E. F. Bleiler & T. E. Dikty
London Particular (Fog of Doubt) by Christianna Brand
Crossed Skis by Carol Carnac
The Youth Hostel Murders by Glyn Carr
The Nine Wrong Answers by John Dickson Carr
The Underdog & Other Stories by Agatha Christie
Night Train to Paris by Manning Coles
The Crimson Clue by George Harmon Coxe
The Blind Spot by John Creasey
Bartholomew the Beaver by Ruth Dixon
Top of the Heap by A. A. Fair
The Case of the Grinning Gorilla by Erle Stanley Gardner
Murder Rides the Campaign Train by The Gordons (Mildred & Gordon Gordon)
The Sunburned Corpse by Adam Knight
Dead as a Dinosaur by Frances & Richard Lockridge
Trial by Terror (Death by Association) Lockridge
The Sleep Is Deep by Hugh Lawrence Nelson
The King Is Dead by Ellery Queen
Black Widow by Patrick Quentin
The Swimming Pool by Mary Roberts Rinehart
Ambush for Anatol by John Sherwood

And once again, most of my reading is in mysteries. There are a few more mysteries and non-mysteries among the books I read pre-blogging (so no reviews). I may choose to revisit some of these:

The Tiger in the Smoke by Margery Allingham
The Clock Strikes 13 by Herbert Brean
Mrs. McGinty's Dead by Agatha Christie
Murder with Mirrors (They Do It With Mirrors) by Agatha Christie
A Case for Mr. Crook by Anthony Gilbert
The Old Man & the Sea by Ernest Hemingway
Mystery at the Ski Jump by Carolyn Keene
Mere Christianity by C. S. Lewis
The Borrowers by Mary Norton
Excellent Women by Barbara Pym
Curious George Rides a Bike by H. A. & Margaret Rey
The Singing Sands by Josephine Tey
Last Seen Wearing by Hillary Waugh
Ladies Bane by Patricia Wentworth
Charlotte's Webb by E. B. White

Below are the books on the TBR pile that may be up for inspection: 
Murder, Maestro, Please by Delano Ames
The Corpse with Sticky Fingers by George Bagby
Stranger on a Cliff by Josephine Bell
Downbeat for a Dirge by Brandon Bird
Death in the Fifth Position by Edgar Box
Timeless Stories for Today & Tomorrow by Ray Bradbury
We All Killed Grandma by Fredric Brown
The Scarlet Slippers by James M. Brown
Cold Blood by Leo Bruce
Alias Uncle Hugo by Manning Coles
A Town of Masks by Dorothy Salisbury Davis
The Gallows in My Garden by Richard Deming
Behind the Crimson Blind by Carter Dickson
Dead Men's Plans by Mignon G. Eberhart
Death Begs the Question by Lois Eby & John C. Fleming
Look Behind You, Lady! by Margaret Erskine
The Missing Link by Katharine Farrer
Wake the Sleeping Wolf by Rae Foley
The Bahamas Murder Case by Leslie Ford
The Case of the Moth-Eaten Mink by Erle Stanley Gardner
The Court of Last Resort by Erle Stanley Gardner
A Hole in the Ground by Andrew Garve
The Danger Within by Michael Gilbert
The Body on the Bench by Dorothy B. Hughes
One Man Show (Murder Is an Art) by Michael Innes
Eyes That Watch You by William Irish
Death & Little Brother by Clifford Knight
The Dog It Was That Died by E. C. R. Lorac
Himalayan Assignment by F. Van Wyck Mason
Grow Young & Die
by William O'Farrell
Dead Babes in the Wood by D. B. Olsen
Murder Doll by Milton K. Ozaki
A Shot in the Dark by Richard Powell
Double Jeopardy by Fletcher Pratt
Calendar of Crime by Ellery Queen
The Double Man by Helen Reilly
The Mamo Murders by Juanita Sheridan
The Haploids
by Jerry Sohl
The Long Green by Bart Spicer
They Had a Glory by Davenport Steward
The Corpse That Refused to Stay Dead by Hampton Stone
Don Among the Dead Men by C. E. Vuilliamy
Pigs Have Wings by P. G. Wodehouse

Thursday, April 17, 2025

The Cipher Garden


 The Cipher Garden (2005) by Martin Edwards

Warren Howe was a ladies man as well as being a difficult man to get along with. One afternoon he was surprised by a person in a hood while working in a garden in Old Sawrey--a village in England's Lake District. But at the end of the day, the police are unable to pin the murder on anyone. There are plenty of suspects from jilted lovers to the wife he was cheating on to the men in the lives of the women he seduced. Even his own son hated him. The day of the murder was a miserable, rainy afternoon and the killer left no forensic evidence behind. So, the case was abandoned.

Then years later, an anonymous tip comes in to the Cold Case Review Team and DCI Hannah Scarlett gets interested. The anonymous tipster points the finger of guilt at Warren's wife Tina even though she had an alibi. 

Tina Howe was jealous of her husband Warren, so she murdered him.

That isn't the last of the anonymous letters. Various members of the Howe family and their friends are all favored with poison pen missives. When Scarlett starts investigating, she realizes that her sergeant, Nick Lowther, seems disturbed by her determination to open up this particular cold case. He was part of the investigation the first time around, did he discover something at the time and not share it with the team? 

Meanwhile, Daniel Kind, celebrated historian who considers the work of the historian to be akin to that of the detective, is looking into a mystery of his own. He has been working on the garden at his newly-acquired cottage--a garden that seems at first to be a random mess of plants. But he soon learns that the garden has a history and is referred to by local folk as the "Cipher Garden." What is the secret of the random planting? And what happened to the original owners of the cottage? His mystery leads him to the cold case investigation when he hires Peter Flint to help him renovate the garden. Flint was Warren Howe's business partner at the time of the murder--and is now involved with Howe's widow. Was he involved with her while Howe was still alive? And is there a motive for murder in that? By the time Scarlett and Kind follow their respective trails they will find a shocking conclusion...one that changes a number of the suspects' lives forever.

As I mentioned in my review of the first book in the series (The Coffin Trail), I'm not a huge fan of protagonists with baggage. We all know that Hannah and Daniel's respective relationships are not the most solid. We know where things are heading eventually. And, while I know that real life is messy, I don't really need my escapist mystery literature to measure up to real life. How much cleaner if we could skip the angst and doubts and the mess of getting out of relationships that aren't working and just have Hannah and Daniel meet up (single) in the debut novel and work their way towards a relationship of their own. Then we could all just focus on the main point of a mystery novel--the mystery, the clues, the suspects, and looking for a solution. This would be my main complaint about more modern mysteries, so many "mystery" authors bury their plot so far beneath the drama and angst in their detective's life that it's difficult to care about the actual mystery. 

Sorry, Martin, I didn't mean to get on my soapbox.

Fortunately, Martin Edwards, doesn't bury his plot. And he writes a darn good mystery. So I can more easily forgive the baggage that Hannah and Daniel are dragging about. It also helps that Martin completely pulled the wool over my eyes this time. In the first novel, I spotted the culprit thought I didn't get the motive right. This time I was totally at sea. And sometimes that's a very good place to be. I don't mind being fooled when it's done by an expert and Martin is certainly that. ★★ and 3/4 (getting closer to a full four-star mystery!)

First line (Prologue): "I thought you were dead."

First line (1st Chapter): Welcome to Paradise.

Last line: This time she left it longer before easing her hand away from his.

******************

Deaths = 7 ( two stabbed; two fell from height; two poisoned; one auto accident)


Tuesday, April 15, 2025

The World's Best 100 Detective Stories: Volume Ten


 The World's Best 100 Detective Stories: Volume Ten (1910) by Eugene Thwing (ed)

A very mixed bag of stories. I've read the Malcolm Sage stories before and enjoyed them. The Barney Cook mysteries are pleasant "boys own adventures," and the Old Man in the Corner is quite entertaining, but the post-World War I soldier stories by Detzer really aren't all that. Very little mystery or detection going on--and, as mentioned with the final story, I do see the moral of his stories. I just don't think he develops them very well. Over all, a mid-range entry in the "world's best" series. 

"The Stolen Admiralty Memorandum" by Herbert Jenkins: Malcolm Sage is summoned to a country mansion where the Prime Minister, the First Lord of the Admiralty, and the Secretary of War are all in a panic.  A very sensitive memorandum has gone missing and a great deal of damage could be done if it finds its way into the wrong hands.  There is a houseful of weekend guests and servants.  Who is the guilty party?

"The Holding Up of Lady Glanedale" by Jenkins: A jewelry-loving cat burglar seems to be on the loose.  Five weeks ago, Mrs. Comminge was the victim of a burglar who crept into her bedroom and threatened to shoot her if she didn't hand over her jewel case and keep quiet until he could make his escape.  Now, it appears that he has struck again at the home of Lady Glanedale.  The Twentieth Century Insurance Corporation Limited calls in Sage to verify the particulars--and he reveals the surprising identity of the Glanedale cat burglar.

"The Missing Heavyweight" by Jenkins: Charley Burns, the British champion is set to fight Bob Jefferson (whose name changes to "Joe" towards the end of the story) for the heavyweight championship of the world.  But then he disappears two days before the match.  It's up to Sage to find the clues that will produce the fighter in time for the bout.

"The Blackmailers" by Harvey O'Higgins: Barney Cook is a sixteen year old telegram delivery boy who wants to be a detective. When he delivers an ad from a detective agency looking for an "intelligent, trustworthy [boy] for confidential office work" he uses his initiative to wangle an interview with the chief  of the operation. He's immediately put to the test in a little matter of coded telegrams and blackmail.

"Barney Has a Hunch" by O'Higgins: Barney Cook has established himself with the detective agency and has been assigned the job of trying to find a certain man. While disguised as a newspaper boy, he notices another man's abrupt reaction to the headline about a missing society girl. Barney's hunch leads him on a chase that will make or break his standing with the Chief.

"The Mystery of the Pearl Necklace" by Baroness Orczy: The ladies of London donate money to buy a fabulous pearl necklace for a woman who is a heroine in their eyes. They choose a trusted man and his wife to act as courier. When the man disappears as well as the necklace, the rumors fly. Eventually, the man and the necklace are found and the necklace reaches its rightful destination. But really happened? The Old Man in the Corner has an unusual theory.

"The Music of Robert the Devil" by Karl W. Detzer: A French village is periodically terrorized by the ghost of a blacksheep nobleman who looted their town and stole their women in the days of William the Norman. In the days after the first World War, it seems he come back again. But an American soldier (our narrator) plays detective an discovers what's really going on. (one stabbed)

"Through Bolted Doors" by Detzer: Our American soldier plays detective again--this time investigating who shot both a fellow soldier and an old woman found killed behind bolted doors. (two shot)

"Neglect of Duty" by Detzer: Once again our narrator is called upon to solve a mystery. A large sum of money held in trust by the officer with a certain company has disappeared. The soldier/detective must discover who took the money & why.

"Number 52 Rue Nationale" by Detzer: American soldiers are stealing food and goods from a village and surrounding countryside. Our narrator looks into the reasons why these normally law-abiding men are taking things at gunpoint.

"The Guilty Party: by Detzer: A hodge-podge of various military cases. A bit of a mess really. I appreciate the point behind the mini-stories within the story--to ask who's really to blame in certain situations. But I think it could have been better illustrated. (one shot)

First line (1st story): "Wel!" cried Tims, one Saturday night, as he pushed open the kitchen door of the little flat he occupied over the garage.

Last line (last story): Which proves again that even in the best of wars the guard-house did not always claim its own, and the Guilty Party went on blithely about his or her affairs.

Monday, April 14, 2025

Murder Every Monday: A Bonnie Case of Murder

 


Kate at Cross Examining Crime hosts a fun mystery cover game on Instagram called Murder Every Monday. Our assignment, should we choose to accept it, is to display book covers and titles from books you own that meet prompts which she posts well in advance (see link). 

 
Today's theme is crime fiction set in Scotland. I didn't expect to find as many as I did for this week's round. 
Murder at Midnight ~C. S. Challinor
Mystery on the Island of Skye ~Phyllis A. Whitney
The Hunting Party ~Lucy Foley

The Portcullis Room ~Valentine Williams
After the Armistice Ball ~Catriona McPherson
Five Red Herrings ~Dorothy L. Sayers

Fish & Kill (Cork on the Water) ~Macdonald Hastings
A House Possessed by Charity Blackstock
John MacNab ~John Buchan

Murder of a Lady ~Anthony Wynne
All Men Are Murderers ~Lee Blackstock
A Study in Death ~Anna Lee Huber

A Relative Act of Murder ~C. F. Roe
The Clue of the Whistling Bagpipes ~Carolyn Keene
The Edinburgh Mystery ~Martin Edwards, ed



Friday, April 11, 2025

The Strange Case of Eliza Doolittle


 The Strange Case of the Eliza Doolittle (2021) by Timothy Miller

Synopsis (from the back of the book): Sherlock Holmes has retired to the Sussex countryside...that is, until a most formidable puzzle is dropped upon his doorstep by a certain Colonel Pickering.

One Miss Eliza Doolittle, once nothing more than a cockney guttersnipe, has been transformed into a proper lady of London--perhaps even a duchess?--as if overnight. When Colonel Pickering recovered from a bout of malaria, he was astounded by the woman before him. Is it possible this transformation is due to nothing more than elocution lessons and some splendid new hats? Or has Professor Henry Higgins surreptitiously traded one girl for another? And for God's sake, why?

As the case unfolds, Holmes and Watson find themselves in ever stranger territory. Who are the four identical "Freddies" pursuing Miss Doolittle? What part do the respected Dr. Jekyll and his malevolent associate, Mr. Hyde, long thought dead, have to play in this caper? And who the devil is the devilish Baron von Stettin?

So--why mess about with one author's characters when you can mess about with three? So, we have Holmes and Watson taking up a case that not only brings in characters from My Fair Lady but also shadows of Dr. Jekyll and Mr. Hyde. Oh, goody! How much damage can we do in 248 pages to other people's characters since we don't really want to develop main characters of our own? Well...quite a bit, actually.

First of all--Holmes and Watson. They aren't really. Holmes doesn't really sound like Holmes even if he does spout standard Holmes phrases (The game's afoot! Do you have your service revolver? Good old, Watson! etc.). And Watson has been turned into a sort of grown version of a Baker Street Irregular with Holmes ordering him to follow people and whatnot. If Holmes were truly Holmes, I can't imagine how the incoherent babblings of Pickering would have interested him so greatly that he would abandon his bees in Sussex and go back to London to investigate the mysterious transformation of Eliza Doolittle. Especially considering the list of cases he's turned down since retirement--according to Watson. Pickering's story makes very little sense as he tells it and not one phrase stands out to me as something that would pique Holmes' interest.

Then we have Henry Higgins and Eliza Doolittle. George Bernard Shaw through the lens of the 1964 film has been done a great disservice. Eliza bears little resemblance to the original in either form. The only time she's "delightful" (as she is often described) is when she is under the influence of Dr. Guest, which isn't necessarily a good thing. And, finally, there is the way we shoe-horn the Jekyll/Hyde story into the whole thing. I can't say more about that without spoiling the story--and, judging by the ratings on Goodreads--there's a possibility that some of you will enjoy this WAY more than me (lots of people did and apparently think the depictions herein are just dandy). So, I won't spoil it for you. As for me, not a huge fan.

Oh--and lest I forget--suddenly, at the end of the story, our logical Mr. Holmes seems ready to follow in his creator's footsteps (Doyle) and wants Watson to join him in investigating the supernatural and what lies "behind the veil." Seriously? ðŸ™„ Not my favorite Holmes pastiche by a long shot.  and 1/2

First line: I have perhaps left the impression among my readers (such stalwarts as remain) that when Sherlock Holmes retired to his villa in Sussex to pursue his avocation as a beekeeper, his extraordinary career as the world's first consulting detective came to a lamentable end.

Last line: There is only one mystery left to explore, and as always, Holmes is one step ahead of me.
*******************

Deaths = 4 (three hanged; one beaten)

A Slash of Emerald


 A Slash of Emerald
(2025) by Patrice McDonough

London, 1867. Dr. Julia Lewis and Inspector Richard Tennant are back in a second historical mystery. This time the focus is on the artistic community and links to pornography and other illicit trade "goods." 

While it is perfectly acceptable for Victorian women to dabble in watercolors and painting as an innocent pastime, women who try to make a living as an artist face ridicule and worse. And the women who pose for artists (male or female)? They're even worse. Julia is called to examine a young woman suspected of prostitution (to make sure she's not spreading disease) even though the girl insists that she's a shop girl and an artist's model at times. The police only became involved because two men were harassing her--though it's obvious they think she attracted their attention on purpose. Then, a new artistic friend of Julia's, Mary Allingham, suffers a break-in the studio on the grounds of her home. A large "W" (for whore) in emerald green paint is left behind. Local officers aren't too keen to investigate the "goings-on" at an art studio, but Julia asks Richard to speak with her friend about other incidents in the female art world.

When young female models become the target of a killer, both Richard and Julia are sure there's more behind this than just spite against females who don't know their place. Mary's brother Charles, an admirer of all sorts of art, has also died of poison. It looks like and is ruled a suicide, but then the family doctor and a member of Charles's club also dies of poison. The club has been tied to another line of investigation involving young girls--are the two threads connected? And if so, how?

McDonough has provided another absorbing Victorian mystery (one of my favorite historical periods). We learn more about Julia and Richard and we get to watch them learn about each other. The supporting characters are also interesting and given depth--even those who aren't on stage long. I enjoyed the look at the artistic world of the 1800s and McDonough deftly weaves real artists into the story in a very believable way. Like Richard Tennant, I wasn't happy that justice wasn't served up to all of the deserving. At the end of the book he takes a leave of absence from the force and is off to France in search of one of those responsible. I hope he catches them...but since the official justice system isn't interested, I do wonder what he's going to do when he does find them. 

First line: Annie O'Neill peered into the January mist and thought, Why didn't I hail a cab?

"What rational person wants to plow through eight hundred pages of a three-volume novel only to be left heart-sore and depressed by a sad ending?" (Mary Allingham, about Great Expectations; p. 199)

Last line: "Godspeed," she whispered, and walked back to the path.
*********************

Deaths = 10 (one beaten; two natural; three poisoned; two stabbed; two drowned)

Tuesday, April 8, 2025

Tarantula


 Tarantula (1971) by Bob Dylan

A short and sweet review: I like Dylan a lot as a singer, song writer, and musician. I don't care much for stream of consciousness writing in poem or fiction form--especially when more than 50 percent of the random (but topical for the time) references fly on by me. I recognize a fair number--from "comin' through the rye" to "huntley & brinkley," from the play on the tell-tale heart to Jimmy Cagney (who rates capitals though huntley & brinkley don't). There are lines here and there that do sing and make some sense and the one theme running through is aretha (Aretha Franklin, who also does not rate capitals for whatever reason). I'm not quite sure what aretha represents, but I'd definitely make Aretha a running theme as well. But there's too much that I don't recognize which makes the full-on mind dump even more gibberish than stream of consciousness normally is. If you like that sort of thing, then you may like this a lot--and maybe it's brilliant. I wouldn't know. No rating because I just don't know what to do with this.

First line (preface): In the fall of 1966, we were to publish Bob Dylan's "first book."

Poets and writers tell us how we feel by telling us how they feel. They find ways to express the inexpressible. Sometimes they tell the truth and sometimes they lie to us to keep our hearts from breaking. (xiii)

First line: aretha/ crystal jukebox queen of hymn & him diffused in

let it be understood that she owns this melody along with her musical diplomats
& her earth & her musical secrets (p. 1)

Last line: "Life--Death & the lumberjacks are coming"

Monday, April 7, 2025

Murder Every Monday: Opposites Attract

 


Kate at Cross Examining Crime hosts a fun mystery cover game on Instagram called Murder Every Monday. Our assignment, should we choose to accept it, is to display book covers and titles from books you own that meet prompts which she posts well in advance (see link). 

 
Today's theme is Paired Opposites. Link up a crime fiction title which contains one word with a second crime fiction title which contains a word with its opposite meaning.

Death of an Angel ~Frances & Richard Lockridge
The Devil Drives ~Virgil Markham

The Case of the Unhappy Angels ~Geoffrey Homes
The Happy Highwayman ~Leslie Charteris

A Sleeping Life ~Ruth Rendell
The Men in Her Death ~Marie Blizard

Happiness Is a Warm Corpse ~as edited by Alfred Hitchcock
Cold Light of Day ~Emma Page

Death Haunts the Dark Lane ~A. B. Cunningham

The Big Clock ~Kenneth Fearing
A Genteel Little Murder ~Philip Daniels

Beast in View ~Margaret Millar

My Foe Outstretch'd Beneath the Tree ~V. C. Clinton-Baddeley

Out of Order ~Phoebe Atwood Taylor
The Body in the Volvo ~K. K. Beck



Thursday, April 3, 2025

The Bus Station Murders/No Pockets in Shrouds (2-for-1 Review)


 The Bus Station Murders/No Pocket in Shrouds by Louisa Revell (2025; anthology edition with introduction by Curtis Evans from The Passing Tramp). Louisa Revell was the pen name for Ellen Hart Smith. My thanks to Greg with Stark House for providing this review copy in exchange for my honest review. I have received no other compensation of any kind. This is a fine edition of a little-known American mystery writer. I thoroughly enjoyed A Silver Spade, the third title in the Miss Julia Tyler mysteries and a title that I managed to acquire in one of the Detective Book Club's 3-in-1 volumes. Thanks also to Curtis for mentioning my review in his introductory comments. I was very glad to see that Stark House was bringing out the first two books in the series in a nice little two-for-one volume. And even more glad that Curtis has provided such an excellent introduction with a well-researched background on Revell and her first two works. If you haven't had the pleasure of reading one of Revell's mysteries before, then I highly recommend that you get yourself a copy.

The Bus Station Murders (1947): Miss Julia Tyler, retired Latin teacher, is on her way to visit her great-niece Anne and husband her husband Dick Travers in Annapolis, Maryland. When the bus arrives at the bus station, everyone rushes off...everyone except for one older woman who seems to be deeply asleep. The bus driver doesn't want to startle the lady, so he asks Miss Julia if she will try to wake her. But that proves impossible as the woman is dead from a knitting needle to the heart. Miss Julia says she wants to be out of it as soon as possible...until she realizes that the police detective in charge is one of her former students, Ben Kramer. And suddenly, with his blessing, she's playing Miss Marple and Miss Silver. Miss Julia, Anne, and Dick all have a solid background in mysteries--reading them (and referencing them) right and left. Hopefully, her reading has given Miss Julia all the training she needs in detection.

Most of the people from the bus knew and despised the deceased, Mrs. Roger Barnes. And most of them live or work in areas where Miss Julia could reasonably go and ask questions. As she notes in her narrative:

One nice thing about getting to what is called a certain age--and at sixty-seven I've been there quite some time--is the privilege of asking questions without having your motives misunderstood. (p.50)

And, so she does. She finds ways to question them all from the Red Cross caseworker to the young sailor who didn't want his uncle to marry Admiral Barnes' widow to the genealogy researcher/librarian who lost her job at Mrs. Barnes' insistence to the doctor who went to jail for dealing in morphine under the table (guess who provided evidence of that?) to the young mother who leaves her children alone while at work (and who Mrs. Barnes had threatened with Social Services). And she manages to provide Ben with suspect after suspect. Just when Miss Julia has decided that it was the young mother, then she digs up something that points at the doctor. But then there's that tidbit that just proves it must have been the sailor (even if Miss Julia does like him). Meanwhile, Ben is digging up evidence himself. But even that is confusing and he winds up making two arrests before the final pieces fall in place and he can make sure the right person has been locked up.

This is a strong debut mystery by Revell, though not quite as solid an entertainment as A Silver Spade. I enjoyed seeing Miss Julia in her first outing and how she handled her first attempts at amateur detection. If she makes some mistakes, it's understandable since this is her first time. And she's so earnest and interested that you can't help but like her. Revell also paints a great picture of Annapolis society of the time. With the most subtle of sentences she lets the reader know how the naval class system works--from the ranking lady being the first to leave a social gathering to which ladies it would be appropriate for Anne to invite for tea (based on her husband's role as naval instructor). The plot is a bit convoluted and though one could assume part of the motive for the culprit, we really aren't given enough clues to figure it all out. There's a bit of Holmes keeping everything to himself until the end about Ben Kramer. But still a lot of fun and a good read.  and 1/2


In the quotes below, I just couldn't resist listing all the references to well-known mysteries and mystery authors. 

First line: My great-niece Ann had been pestering me to visit her ever since her husband got his commission and she started following him around.

Dick says maybe it was murder in the air, and reminds me how sinister and foreboding everybody feels in Mignon Eberhart's books. (p. 22)

This One Will Kill You. What a good title for a murder story, I thought letting my mind wander again from the murder open on my lap. It was a very poor one, one of the hundreds on the market since people found out you can sell anything that looks like a murder, no matter how bad it is. If I'd had an Agatha Christie, now, or one of the all-too-rare Mary Roberts Rineharts, I wouldn't have known or cared noisy and unpleasant passengers could be, or how hard the bus jolted and how bad it smelled, or how long the trip dragged on. (p. 25)

It's been my observation that some people are born to do things in this world, just as some others are born to sit back. (p. 27)

I learned afterward that he [the bus driver] was addicted to reading murder mysteries too. All the most unlikely people--and I suppose I'm one of them--do read them nowadays and aren't ashamed to admit it. (p. 28)

He [the bus driver] was a credit to the books he'd read, not like me. There was more than a touch of Lieutenant Valcour about him (or maybe it was Chief-Detective Inspector Alleyn as he stood up and made the speech somebody always makes, with variations, toward the beginning of every detective novel. (p.28-9) [Rufus King; Ngaio Marsh]

Maybe you're the homicidal maniac. Goodness knows, I thought, genealogy is enough to drive  anybody out of her mind (p. 38)

Among others, we saw him arguing with a woman with dyed black hair and yellow clothes--yellow shoes, even, like the woman in Crimson Friday. (p. 47) [Dorothy Cameron Disney]

AT: We all read lots of murders, even Aunt Julia. She can throw Hercule Poirot in your teeth every step of the way.
BK: And Miss Marple. In fact, I'm counting on Miss Julia's turning out to be another Miss Marple or Miss Silver. You don't know Miss Silver? she's another of the lady sleuths who solve the crime and give the credit to the police.  (Anne Travers, Ben Kramer; pp. 56-7)

When a woman is scorned, she stays scorned (Anne Travers; p. 66)

...I was perfectly happy because I had Leslie Ford's new book propped up in front of me. (p. 79)

In And Then There Were None there were ten suspects and every one of them had a motive. (Anne Travers; p.88)

It isn't that you read too many [mysteries], Dick, it's just your taste is so low. He likes those old gangster murders, Ben. And--can you imagine?--he likes Philo Vance. (Anne Travers; p. 89)

I gave him a look. This was no time for Agatha Christie either. (p, 99)

The days passed slowly. I couldn't seem to get my mind on anything but murder, which is an awful confession for a respectable woman to have to make. (p. 120)

I was ashamed of myself too, though, in the midst of my indignation. Never again will I criticize poor Mrs. Latham for being upset when she finds a body. Theoretically she should, as I'd thought, have got used to it by this time. But so should I, (p. 134)

Who do you think I am--Lieutenant Weigand, taking my friends along for the ride? I'm going on police business in a police car. (Lt. Ben Kramer; p. 150)

Last line: But maybe so.
****************
Deaths = 8 (two stabbed; four war wounds; one drowned; one poisoned)

***********************************************************


 No Pockets in Shrouds (1948): At the end of The Bus Station Murders Miss Julia declares that she isn't interested in murders:

I certainly felt that way now, as if I never even wanted to read another murder. I change the subject every time it comes up at home.

But then we learn at the beginning of No Pockets in Shrouds (just a few months later) that she's not even interested in visiting her old acquaintance Charlotte Buckner until she learns that there's a body to be investigated. And Miss "I change the subject" Julia now has a scapbook full of murderous newspaper clippings. (Quite a quick recovery from murder overload there, Miss Julia. 😉) So, off she goes to Louisville, Kentucky to see what's going on in the murder investigation of Gus, the butler to the Helm family. Gus had been with the Helm family for years and was apt to report everything he saw and heard to Breckinridge Helm, the autocratic head of the clan. Breckinridge had suffered a stroke right about the time Gus was murdered and then as soon as he's recovered, he convinces "Aunt/Cousin Charlotte" to invite all the grandchildren over to her house across the street for a little party (and a meet and greet with her friend Miss Julia). Johnny Brown, one of the grandsons, happens to look out the window to see the Helms family lawyer entering the house.

"Well, boys and girls," he said, and his voice didn't sound a bit the way it did when he'd talked to me, "there goes the reason why we were invited to this very nice little party of Cousin Charlotte's. Mr. W. Blodgett Fownes, come by request to change Grandfather's will."

Miss Julia notes that if this were a mystery novel that Breckinridge would have threatened to change his will, but would have been murdered before he had the chance to do so.

Well...guess what, boys and girls? Mr. Fownes has to go off and have the will typed up all nice and pretty, so it hasn't been signed yet. So guess who is the next to die? Yep. Breckinridge Helm. The police were fairly certain that someone in the house had killed Gus, but they couldn't find definite evidence against anyone or that no one else could have gotten. But this time? Breckinridge was killed after all the kinfolk were home and snug in bed and the house was locked up tighter than a drum. Oh...and it couldn't have been any of the servants because Thelma, one of the clumsiest of the servants (but the very best cleaner in the world) dumped a jar of powder on the only stairs leading to their quarters. She'd been too tired to clean it up right away and planned to do it first thing in the morning. But the murder was discovered first. And there are no footprints in the powder--so none of them crept out in the middle of the night to kill the old man. Which points the finger of suspicion firmly at the grandchildren who had everything to lose if Breckinridge had lived to sign a new will.

Any of them might have done it--from Johnny who likes to live up to (and maybe beyond) his means to Mary Preston who wants to be a doctor (but Grandpa wouldn't loosen the purse strings for such nonsense to Breck (named for his grandfather) who wants to remodel his family's property to Dr. Greer who could use the inheritance for research to Emily who wants to get married. Emily was the last to see Gus and was seen purchasing the poison that may have been used on both men--so she's the leading favorite suspect for the police. But Miss Julia isn't so sure and she works with an Army lawyer to figure out who the real culprit is.

This mystery is a bit more standard--Miss Julia actually discovers a few clues that help lead to the culprit. And she works a bit more on her own since she isn't hand in glove with Lieutenant Bates of Louisville the way she was with Ben Kramer. Her observations are little more flippant, but still quite funny. She doesn't name-drop the mystery writers as before, but she does like to say, "If this were a murder book..." The one disappointment was how obvious the culprit was to me. The way Miss Julia talks about this person--even when she's saying (as she doesn with all of them) that she doesn't believe it could be them--appeared like a flashing arrow highlighting them to me. There are also more subtle clues that point to the motive that I picked up along the way. Still, a very enjoyable entry in the "elderly" amateur detective category.  and 1/2

First line: My great-niece Anne is quite a business woman when she wants to be.

I;d read murder books since the first of the Mary Roberts Rineharts, and after I got mixed up in those murders in Annapolis I took a personal interest, naturally. [p. 184]

Charlotte says I read too many murder books. Maybe I do. But even without that, even without the fact of Gus's death in the background, I believe the same thoughts would have gone through my mind. Mr. Helms ought to have died, I thought. Died before this [changing the will[ had a chance to happen. [p. 189]

There are so many ways to kill helpless old people. You can push them downstairs, or feed them things they're not supposed to have, or even just forget to give them their medicine. And nobody ever suspects, except maybe the doctor, sometimes, and he doesn't say anything because he realizes that nothing could be proved and all that would come of stirring it up would be a lot of trouble and unpleasantness and maybe professional oblivion for him. [p. 189]

Last line: "Yes, after all," I said.
***************************
Deaths = 3 (two poisoned; one shot)


Tuesday, April 1, 2025