The
Tuesday
Night Bloggers have been meeting now for several months with a group of
us who
are interested in golden age detective writers. We started with Agatha
Christie back in late September and October and have now found ourselves
looking forward to April and Phoebe Atwood Taylor--or Alice Tilton, as she sometimes liked to call herself. Curtis over at the Passing Tramp will be collecting our efforts month. I mistakenly thought that I had read far more of her work since starting the blog than I have. It looks like I need to get busy and read a few before next week's meeting. In the meantime, I have gone back to my only indepth review and have this to offer from 2013:
Long
ago and far away, when I started this blog in April of 2010 (ooh my blogiversary is coming up....mustn't forget to celebrate!)--I kicked things off with a review of Alice
Tilton's (aka Phoebe Atwood Taylor) Beginning With a Bash. I had
picked up several of her Leonidas Witherall books because I have this
little weakness for academic mysteries and Witherall is a sometime
instructor/owner/what-have-you of the Meredith Academy who looks a lot
like William Shakespeare. I read two of these light, madcap mysteries
and began today's selection, The Hollow Chest, when I suddenly realized that there was such a thing as too much of a good thing. As I said at the time:
"Well, I've finished the second of the
Tilton series and made an attempt at the third. I've decided to give
myself a rest from the madcap mysteries for a bit. I'm afraid that she
seems to be stuck in a bit of rut. It's a bit much to swallow all the
fortuitous circumstances that bring about the happy ending. Given all
the bodies he stumbles over, young ladies bound and gagged in his house,
his belongings that wind up in unfortunate proximity to the
aforementioned bodies--it's a wonder "Bill Shakespeare" doesn't spend
his life in jail. It's unfortunate that the charm has faded so fast
because I really do like the character of Leonidas Witherall. I'm just
having trouble believing more than six impossible things after breakfast."
I gave it up
after only twenty-five pages. And my previous self wasn't kidding--dead
bodies, young ladies bound and gagged, incriminating evidence planted
by dead bodies. And that's just for openers. Witherall returns home
after escorting the Fifth Form on their annual outing--a day informally
known as "Egg Day." While the point is to have a field trip that
involves a rousing game of Fox and Hounds (with one boy playing the
fox), every good fifth former knows to conceal eggs about his person
because somebody, somewhere along the way is going to need a good
egging. When a General who is directing practice maneuvers comes into
their sights--in a tank, no less--they know they have found their
target. Witherall has to lead the boys in a strategic retreat and
finally winds up back at the school with all the boys intact....or so he
thinks. He later learns that at some point they picked up a stray boy
and lost the fox, Sandy Threewit--who just happens to be the ward of a
very rich, very prominent lady who just might have money to donate to
the Academy. If their staff hasn't been careless enough to permanently
lose her ward....
But...back to
what I was saying...after returning home from these adventures,
Witherall finds his home ransacked and a beautiful girl (who he doesn't
know) bound, blindfolded, and gagged on his bed upstairs. He starts to
untie her bonds when the police arrive. He manages to convince them
that nothing strange is going on (he doesn't want to much attention from
the police lest they discover that he's the man who was shepherding the
boys who egged the general) and when he goes back upstairs he finds
that the girl has disappeared. Next up is a phone call from Mrs.
Vandercook (guardian to the lost Threewit), she's not calling to inquire
about the boy (thankfully), but she wants him to dress up in formal
wear, go the corner of Eighth and Oak Streets, collect George and go to
the Corner of Elm and Oak.
Witherall
attempts to do this and winds up finding people (and horses) who answer
to the name George, a dead body in a car, an empty chest, and a mystery
surrounding some missing bonds. Instead of collecting "George," he
collects a couple of young women, a soldier named Goldie, and the
General who his boys had egged and together they get to the bottom of
who killed the man in the car, who stole the missing bonds, and what
happened to young Threewit. All in a few hours one evening. It makes
me tired just writing about it.
I'm glad I waited
a while to read this one. I enjoyed it more than I seemed to be in
2010. But I have to say that it didn't do as much for me as that very
first installment did. I do think that Tilton (Taylor) got stuck in a
rut with these in a way that she didn't with her Asey Mayo books--I've
read many of those and never got tired of Asey and his ways. This is a
fun read, fast-paced and very silly--definitely not a deep-thinking,
intricate mystery kind of book. Read it to escape for an evening....
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2 comments:
About a year ago I stumbled onto quite a few of Taylor's paperbacks at a used book store. Someone had clearly cleaned out their stash. I bought most of them, starting with Cape Cod Mystery, the first Asey Mayo, but found it just so-so. So I haven't rushed back to the others. I like your suggestion that a brief break is sometimes needed. I will pick up "Death Lights a Candle" next, which I understand may be more enjoyable. Thanks! I continue to love your reviews and find myself looking backward more often than forward these days in my reading when I want to get lost in a really good read.
Jacqueline: I remember Death Lights a Candle as a particularly good one.
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