Panic in Paradise (1951) by Alan Amos (Kathleen Moore Knight)
Julian and Serena Cornish live in Casa Paraiso, between the Pacific coast of Panama and the jungle. They live with their children Brian (with wife Rita), Maura (with husband Pierce Harding), and Pam (as yet unmarried). Their home also lies near the area where the fabled and fabulous treasure of San Juan de Salud was said to be buried. In 1945, when a group of soldiers was stationed at Punta Paraiso, Julian was encouraged to tell the story of the treasure saved and buried by priests in the early days Panama. Tragedy struck when a few of the soldiers succumbed to gold fever and went searching. One soldier died and another, Willie Trout, went mad and was sent to the local military insane asylum.
Now that the war is over, an ancient sketch is discovered at Casa Paraiso which may lead to the whereabouts of the treasure. The treasure was supposed to have been buried by the priests and marked with an altar of rocks which has since fell into serious disrepair. The placement of the stones supposedly indicated the exact location of the treasure. The sketch shows how the stones were originally placed and if the clues can be deciphered then perhaps the cache will finally be found.
Brian Cornish wanted to start a search immediately, despite the rainy season although his father insists they wait. While they wait, newspaperman and friend of the family Watson "Wat" Gilday volunteers to do some research at the city museum to see how the sketch matches up to the information in the archives. Also at Casa Paraiso is Oliver Bradley, who had wooed Maura Cornish during his wartime service in Panama, coincidentally appearing after Wat had printed a story about the legend of the treasure. And of course, there is Barry Toland who regularly visits from the city to see Pam. Meanwhile, Willie Trout, has made his escape from the asylum and may also be in the area.
Events move swiftly once Wat declares his research intentions and he's found shot near his car on the road leading to the Cornish home. The ancient manuscript with the sketch is missing and then Barry, who discovered Wat's body, disappears as well. The finger of suspicion points first Barry (naturally, since he disappeared before the police could question him), but then events make it clear that Barry couldn't be responsible. So suspicion falls first one member of the Cornish household and then another until a final showdown with the killer on a night when Casa Paraiso is cut off from outside help.
First of all, the set up of this book is very interesting. It is one of the earliest mysteries to provide multiple viewpoints. Each of our main characters give us information on the mystery in diary-like chapters which have been written at the behest of Serena Cornish. The story is framed with opening and ending entries from Julian, giving background info (at the beginning) and wrapping it all up at the end. Some of the chapters which are also direct responses to earlier chapters--for instance, Barry Toland's entry directly addresses Wat Gilday's portion--especially taking issue with Wat's passages about Barry.
This is the first mystery I've read by Knight (under either her own name or a pseudonym) and I did enjoy the closed atmosphere. Even before they were cut off by the bridge going out, it felt very isolated at the house caught between the cliffs and the jungle. So the entire mystery feels very much like a closed-circle plot even though, in theory, anyone could have done the first of the murders and there might possibly be a madman (or two) hiding out in the jungle throughout.
I do take exception to the blurb on the dustjacket--it makes it sound like Wat Gilday might be our amateur detective here, but that soon proves impossible when he is killed almost the minute he starts researching. And, actually, that's probably my main quibble with the story: there really isn't a detective, amateur or otherwise. Apparently, the only detective is the reader. Various characters do try to find things out and relate their findings in their diary entries, but there doesn't seem to be a concerted effort to get to the bottom of things. I'm not quite on the level of Hercule Poirot, but I do like a little more order and method in my detective novels. Good characters, good setting, and an interesting format go a long way in this one. ★★★ and 1/2
First line: Now that it is all over, and life at Punta Paraiso has once more become orderly and secure, I have been looking over the great heap of papers which Serena put for safekeeping in the lower drawer of my desk.
Last line: I wouldn't swap that moment for all the gold of San Juan.
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Deaths = 4 (two fell from height; two shot)