Sweet Poison (2001) by David RobertsAugust 1935, in the shadow of the coming world war. Gerald, the Duke of Mersham is one of many British aristocrats who are are trying to fend off another blood bath by bringing together influential men who might help improve the relations between Britain and Germany. He has planned a dinner with Lord Weaver, a newspaper tycoon (with his wife and stepdaughter); General Sir Alistair Craig, a distinguished retired soldier; Peter Lamore, a rising politician (and wife); Cecil Haycraft, the Bishop of Worthing and a loud supporter of pacifism (and wife); and Baron Helmut von Friedberg of the German Embassy, a man said to have the ear of the new Chancellor Adolf Hitler. The Duke presses his younger brother, Lord Edward Corinth to join the party--to take the place of Hermione Weaver's young man at table. The ill-mannered young cub (Gerald's point of view) has cried off at the last minute.
This type of gathering is the last place Edward wants to be--both because he would rather not be plopped in the middle of the polite bickering sure to result when you mix the general, the pacifist bishop, and the German all together and because he has an important cricket match that same afternoon that he refuses to miss. The cricket match will force him to drive even more rapidly than normal if he's going to be on time. Spoiler--he isn't. After a couple of mishaps, he winds up riding with a Miss Verity Browne, reporter, who is also on her way to Mersham Castle to interview the Duchess the next day for a story. The two arrive at the castle just in time for a late supper (the guests are long done), port...and to watch General Craig die from a dose of cyanide in his glass.
When it's learned that Craig had inoperable cancer, there is a suspicion of suicide--though why choose the Duke's dinner party to do it? But the general consensus (even by the police) is that it will be chalked up as an accident at the inquest...unless further evidence is found to suggest otherwise. Neither Edward nor his new-found partner in detection, Verity Browe (a Communist of all things!) believe it to be suicide or accident. Which leaves murder? But who would want to murder Craig? He hadn't met most of the guests before. Or had he? The further the two dig, the more motives they find. But no proof whatsoever. There will be a few more deaths before the unlikely duo discover the truth behind Craig's death.
I read several of this series back when they first came out and I was struck then by how many parallels there are to the Lord Peter Wimsey books. At the time I was delighted to find a similar aristocratic sleuth because I'd read all the LPW stories there were and was wishing for more. I deliberately started reading this one this year with that in mind and wanted to see just how closely Corinth mirrored Wimsey. A quote from Poisoned Pen on the back cover of my edition says: "Roberts is convincing on period detail and crafts prickly characters...while in fact the period parallels Dorothy L. Sayers, Roberts goes his own way...." Okay, can we talk about that? Here's what I've got when I tally things up:
Like LPW, Lord Edward Corinth is the younger brother of a Duke named...Gerald. Gerald doesn't understand his younger brother and thinks he's a bit of a harum-scarum. [Fortunately, for LEC, the Duke of Mersham's wife isn't nearly the pain in the you-know-what that LPW's sister-in-law is.] LEC also loves to drive fast--though not as well as a LPW. From all reports, he's more like LPW's accident-prone nephew Lord St. George. But he does have the same proficiency at cricket--managing to bat "not out one hundred and five" (whatever that means in cricketese). LEC also has a friend who provides him an entry into bohemian/Communist party society where monkey glands are discussed.
LEC loves to throw a quotation or two around and uses a deceptively flippant nature to disguise his intelligence. And his man Fenton, like Bunter in the filmed version of Five Red Herrings, makes claim to be an amateur painter. LEC and Verity Brown have an uneasy relationship--based on differences in politics rather than the burden of gratitude that haunts Harriet Vane. And like Harriet in Have His Carcase, Verity attempts to vamp one of the major suspects.
The end of the story mirrors two of LPW's novels. Verity leaves LEC, not to go on a walking tour as Harriet does from Strong Poison into Carcase, but to report what's going on in Spain. LEC feels the need to leave England on a holiday just as LPW does between Whose Body? and Clouds of Witness. I'm sure I've missed several more. But you get the idea. From what I can tell, Roberts has tried to shove as many parallels to LPW into this first LEC chronicle as he could.
But...what about the mystery? There's lots to like--lots of suspects; lots of red herrings; lots of motives. Our sleuths even have to wade through the question of whether the right person got poisoned. There's also a few quibbles--LEC and Verity don't really do heaps of detecting. They luck into a few clues, but track down fewer. The culprit is a fairly nasty piece of work and there is a pointless bit of animal cruelty thrown in. On the balance, though, this is a solid opening for LEC and I did enjoy revisiting a world and characters very similar to those of Sayers. ★★★ and 1/2
First line (Prologue): The Duke thrust aside his copy of The Times in disgust and stared up through the branches of the great copper beech under which he sat.
First line (1st Chapter): Lord Edward Corinth deplored unpunctuality.
Last line: Then, faintly, above the rustling of the trees in the wind, he heard the tumbling skylarks choiring and he knew that their cries were all the prayers Max needed.
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Deaths = 6 (two shot; two natural; two poisoned; two stabbed)
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