Spring is a tough season for me--primarily because it is graduate admission season at the university, one of the busiest times of the year in the English Department. This leaves me with less time than I'd like for the in-depth reviews that are the staple of the TNB gatherings. This week I decided to feature John Dickson's fictional account of The Murder of Sir Edmund Godfrey, a book that I reviewed in April of last year.
I started out thinking that The Murder of Sir Edmund Godfrey (1936) by John Dickson Carr should be filed under historical fiction/mystery. By the time I finished, I realized it is more accurately fictionalized history. Carr makes no claim that his telling of the story and the final solution is the unassailable historical truth, but he does set himself the task to be historically accurate while entertaining the mystery lover. He says in the "Preface for Connoisseurs in Murder:
That this is the true solution, of course, nobody would be presumptuous enough to declare. It is merely the solution which, while trying to meet with the full requirements of the historian, shall also meet with the requirements of the Society of Connoisseurs in Murder....This record does not presume to be history, except insofar as it tries to be true.
It is possible that some of my Vintage Mystery Challengers will cry "foul" when I claim this for the historical mystery category on the Golden Bingo Card. But Carr himself tells us that he is attempting to meet all the standards of detective fiction while giving as accurate a historical record as possible and who am I to argue with one of the masters of the field?
It is quite obvious that Carr has done his research. He not only gives us what he believes to be the solution to the ultimate questions--Who killed Sir Edmund Godfrey and Why--but he also supplies the reader with eleven other possible solutions complete with historical details that might lead one to at least consider them if not actually believe them. The historical detail accurately brings to life a bawdy, brutal time period full of plots and counter-plots. He informs us of all we need to know about the reign of King Charles II. I have no quibble there and if I were to rate this book on historical accuracy and interest alone, then there is no doubt that it would earn 4 1/2 to 5 stars. But...
Carr makes the claim that the murder of Godfrey is "a very nearly perfect mystery story" (emphasis mine). And, here, for me, this book falls short. Perhaps it is the deluge of historical novels in the last decade or two that has spoiled me--breathing life into historical characters of all sorts from queens and presidents to Thomas De Quincey and Noah's wife. Carr's book, after all, is one of the very first fictional retellings of true crime and, so, is an early venture into this genre. But loving Carr's detective fiction as I do, I expected more entertainment--or at the very least to be entertained while he was providing all the historical background for Charles II's reign and his Opposition and the "Papist Plot"...etc. I never completely felt like I was reading a story. It was very much like reading a history of the events--lots of telling what happened rather than allowing the actors to take the stage, act out the drama, and speak their lines.
And even though Carr says (again in the preface) that there should be "no nods or elbow-joggings from the author" there are moments where it seems as though there is just a bit of a wink and a nudge...little do these historical figures know, but we know....For example, when Sir Edmund Godfrey's body is found and the men are carrying news to the local magistrate, Carr notes: "They did not know, at the moment, that the sword had been thrust through the body of a man already dead from being strangled." There aren't many of these instances, but they are there and they serve to distance the reader from the story. We are no longer caught up in the tale as it happens because we have knowledge that the players do not.
Overall, a very detailed look at an interesting moment in history and a convincing argument for the murderer of choice. Carr is very good, as always, with his explanation of the crime. The foreward and afterward by Douglas G. Greene are gems--excellent and informative framework for Carr's historical narrative.