How to Solve Your Own Murder (2024) by Kristen Perrin
Synopsis (from book flap): It's 1965 and teenage Frances Adams is at an English country fair with her two best friends. But Frances's life takes a hairpin turn when a fortune-teller makes a bone-chilling prediction: One day, Frances will be murdered. Frances spends a lifetime trying to solve a crime that hasn't happened yet, compiling dirt on every person who crosses her path in an effort to prevent her own demise. For decades, no one takes Frances seriously. Until, that is, nearly sixty years later when Frances is found murdered.
In the present day, Annie Adams has been summoned to a meeting at the sprawling country estate of her wealthy and reclusive great aunt Frances. But by the time Annie arrives in the quaint English village of Castle Knoll, Frances is already dead. Annie is determined to catch the killer, but thanks to Frances's lifelong habit of digging up secrets, it seems every endearing and eccentric villager might just have a motive for her murder.
Can Annie safely unravel the dark mystery at the heart of Castle Knoll, or will dredging up the past throw her into the path of a killer? As Annie gets closer to the truth, and closter to the danger, she starts to fear she might inherit her great aunt's fate instead of her fortune.
My take--the short and sweet version: not nearly as captivating as anticipated.
The premise was really good. Here we have the village busybody keeping track of everyone and their doings for a completely new reason. They're not just doing it to be nosy. They're not feeling holier-than-thou and wanting to point out everybody's "sins." They're not the village blackmailer. No--they just want every little fact they can get their hands on to try and figure out who might want to kill them and why. But, honestly, I wasn't all that taken with Frances. I definitely didn't care for her "friends." And Annie wasn't all that appealing either. Neither the diary entries from 1966 nor the current-day chapters featuring Annie felt authentic. The portions supposedly written by teenage Frances feel more mature than the bits with Annie, who has graduated from a London arts college and, I assume, is older.
Of the two mysteries (there's a disappearance in the 1960s that is never explained until Frances is killed), I actually found the missing girl more interesting. While there was a definite effort at red herrings and false clues in the matter of Frances's death (and I did appreciate the attempt to create a classic crime novel), it didn't pay off. The culprit was obvious to me fairly soon after Annie started trying to piece things together.
It appears that there's a series of these books where Frances keeps getting involved in murders and whatnot and somehow those murders mirror or are connected to modern-day mysteries in Annie's life. Really? I'm thinking you can only take duality so far...and the first book seemed to me to reach that limit. ★★
First line: "Your future contains dry bones."
Last line: Putting pen to blank paper, I started writing.
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Deaths = 3 (one poisoned; one shot; one natural)






















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