Today's GAD Mystery Word of the Day is himation (noun): an outer garment worn by ancient Greeks over the left shoulder and under the right.
Mystery Lover...but overall a very eclectic reader. Will read everything from the classics to historical fiction. Biography to essays. Not into horror or much into YA. If you would like me to review a book, then please see my stated review policy BEFORE emailing me. Please Note: This is a book blog. It is not a platform for advertising. Please do NOT contact me to ask that I promote your NON-book websites or products. Thank you.
"Chambrun & the Electronic Ear" by Hugh Pentecost (Judson Philips): Chambrun is disgruntled to find that the FBI is playing spy games in his hotel. He's even more upset when wire-tapping leads to murder. [one broken neck]
"The Poisoned Dow '08" by Dorothy L. Sayers: Montague Egg, wine salesman extraordinaire, must help the police discover how a man was poisoned using one of Egg's firm's bottles of wine. [one poisoned]
"The Stripper" by H. H. Holmes (Anthony Boucher/William Anthony Parker White): Jack the Stripper, a serial killer who strips before he kills, is terrorizing a southern California town. Sister Ursula's friend, Professor Flecker, thinks he may know who it is and writes a cryptic letter asking her to put him in touch with her police friend, Lieutenant Marshall. But he's killed before he can speak with Marshall. If Sister Ursula can decipher Flecker's cryptic last message, she will be able to name the murderer as well. [one stabbed--plus others not named]
"The Affair at the Bungalow" by Agatha Christie: Jane Heiler, a beautiful actress, tells this story. She presents it as having happened to "a friend," but the others are quite sure that the story is Jane's own. While on tour with a play, she was called in by the police to be identified by a young man who claimed she had written a letter and requested his presence at a certain bungalow which belonged to another actress. He had met her there and then been drugged. A robbery had taken place at the bungalow and he is being held as a suspect. But when Jane arrives at the police station, the man says that she isn't the right woman. What really happened? Miss Marple knows...even though she says she doesn't while the group is all together.
"Wally the Watchful Eye" by Paul W. Fairman: Could also be titled "How to Solve a Murder in Two easy lessons. Wally is a clerk in the local grocery store who longs to be a private eye. He signs up for a correspondence course on detection and solves a murder disguised as suicide before completing all his lessons. [one gassed]
"The Happy Days Club" by James M. Ullman: A mutual fund company gets suspicious when the Happy Days Club in Iowa seems to be following their buy and sell movements--almost before they make them. They hire James & Bennett, couple of industrial espionage men, to find out how it's done.
"They Can Only Hang You Once" by Dashiell Hammett: Sam Spade pays a call on the uncle of his client--a lawyer who thinks his cousin is putting pressure on the old man. But before Spade can fulfill his commission there is murder in the house. [two shot]
"Wild Goose Chase" by Ross Macdonald (Kenneth Millar): An anonymous woman hires Lew Archer to attend a trial--to use his judgment about how the jury reacts to the defendant. If they appear to think him guilty, then she just might have to give evidence...evidence that could damage her. [two shot; one car accident]
"File #1: The Mayfield Case" by Joe Gores: A rookie investigator gets a little too emotionally involved with a case of a defaulted loan. [one stabbed]
"About the Perfect Crime of Mr. Digberry" by Anthony Abbot (Fulton Oursler): Mr. Digberry is a master wigmaker who seems to be the latest victim of "The Driller," criminal who is extorting money from various well-known people. But when it's noted that Digberry's escapades with The Driller coincided with the murder of one of Digberry's most famous clients, he immediately comes under suspicion. Thatcher Colt gets to the bottom of the surprising case. [one shot]
"The Devil Is a Gentleman" by Charles B. Child: Inspector Chafik J. Chafik of the Baghdad police investigates the murder of the most recent admirer of a beautiful dancer who is suspected of being a spy. [one stabbed]
"A Winter's Tale" by Frances & Richard Lockridge: A miserly old man who was thought to have died from a fractured skull is found to have froze to death. Captain Heimrich must figure out how he froze to death in an 80 degree house. [one froze to death]
"Clancy & the Shoeshine Boy" by Robert L. Pike (Robert L. Fish): Lt. Clancy investigates the murder of an eccentric old man who was rumored to have a stamp and coin collection. But was it worth killing for? Along the way he reforms the grandson of a shoeshine "boy" who just happens to give him the one clue he was missing. [one beaten to death]
"Smash & Grab" by Henry Wade (Sir Henry Aubrey-Fletcher: There's a rash of smash and grab robberies taking place across London and when the latest hits a jewelry store, Detective Constable John Bragg, fresh from the Downshire countryside, has his chance to make his mark at Scotland Yard.
"The Motive" by Ellery Queen (Dannay & Lee): When the son of a local farmer is hit on the head and left in a ditch, the town is upset that the sheriff's deputy assigned to the investigation can't find the killer--especially when other deaths follow. But how do you track a killer who's left no clues and seems to have no motive? [three hit on head]
"Cause for Suspicion" by George Harmon Coxe: Dr. Paul Standish refuses to believe that a woman who tried to kill herself once has finally succeeded. Everything tells him that this time it's murder. [one poisoned]
"The Stollmeyer Sonnets" by James Powell: A straight-up farce about the cold war spy era where stamps serve as stand-ins for the arms race and spies aren't above a little blackmail over spicy sonnets. Our hero--a Canadian Mountie who reminds me of Dudley Do-Right--manages to save the day despite himself.
"The Botany Pattern" by Victor Canning: The Department of Patterns looks for patterns that others don't see. Viaur is new to the department but immediately spots a connection between a series of murders. Six men have died and four more are on the list--will Viaur and Papa Grand (head of the department) be in time to save the last four? [one shot; one stabbed; one blown up and others unnamed]
"H as in Homicide" by Lawrence Treat: Two women, who have just met, head west in a car. They stop for the night in a small town--where one of the women's ex-husband just happens to live. She winds up strangled. Did he do it? And, if not, who--and why? [one strangled]
"Nightshade" by Ed McBain: It's just a regular evening at the 87th Precinct. Steve Carella and the boys look into the killing of a young actress, the bombing of a black church, the stabbing of a family....and ghosts who steal jewelry. [five stabbed; one shot]
First line (1st story): Mrs. Veach, the motherly-looking chief operator on the switchboard at the Beaumont Hotel was the first one to detect something irregular about the telephone in Room 912.
Last line (last story): "You can't win 'em all," O'Brien said.
London businessman Rex Fortescue, a wily wheeler-dealer, has stepped on a lot of toes on his way up the financial ladder. But could any of the people he bamboozled have had access to his morning tea?
Not long after Fortescue's glamorous secretary brings him a cup of his special blend in his very special china tea cup, he gasps out, "What did you put in the tea?!" and falls unconscious. An ambulance (or two) is called in and so is Inspector Neele of the Yard (though Fortescue hasn't died...yet). Neele begins asking questions of the office staff while waiting to hear from the hospital about the man's condition. When the call comes, it's to tell Neele that Fortescue is dead--most certainly poisoned and the doctor is nearly certain that it's taxine poisoning. Taxine is slow-acting (so the tea is not the culprit) and comes from yew leaves. And the name of Fortescue's home is Yew Lodge, named so because of the yew trees all about.
So...it would seem that the poison was administered at home. When it's discovered that his widow had a lover and anticipated inheriting a tidy sum upon Fortescue's death, she becomes the prime suspect. At least until she winds up poisoned as well. Then Inspector Neele and Sergeant Hay find themselves needing to dig deeper. One of the clues found upon Fortescue was a handful of rye in his pocket. The connection is made that Rex (meaning "king") was in his counting house when he became ill and that his "queen" was in the parlor having bread (scones) and honey when she died. Is this merely a case of an unbalanced mind using the old nursery rhyme to select their victims. When the maid is strangled while in the garden and found with a clothes pin "nipping her nose," it would certainly seem so. And when Miss Jane Marple arrives (the maid Gladys had previously been in Miss Marple's service), she tells Neele to look for blackbirds--for their most certainly must be blackbirds.
And there are...dead blackbirds were left on Fortescue's desk at home. Dead blackbirds were stuffed into a pie. And at one point Fortescue had swindled a man over something called the Blackbird Mine and possibly left him to die in Africa. The man's widow had sworn vengeance and vowed to train their children to seek revenge if she couldn't get it. Has vengeance come from that quarter? Miss Marple manages to get into the house and ask the questions that the police can't and she helps Neele see that there is more to a nursery rhyme than meets the eye.
Rex Fortescue isn't the only wily one connected to this story. The author was pretty wily herself. I read all the Christie mysteries that the Wabash Carnegie Library had back when I first discovered her (nearly 40 years ago!) and I'm sure this was one of them. And she fooled me again. I thought for sure I remembered which red herring I fell for when I first read it and, by golly, she wasn't going to get me with that again. And she didn't. But I fell for another one. She's that good. And that's one of the reasons why I can reread her books with such enjoyment. If it's been long enough since the last reading, then there's a good chance I'll be mystified all over again. Great fun!
The one small quibble I have is that Miss Marple shows up so very late in the book. Of course, she's tied to the maid, so that makes sense and there really isn't any other way to make her presence plausible--but if it's going to be a Miss Marple mystery, I'd like to see more of her. Even with that small disappointment, it's still a great read and a great mystery. ★★★★
First line: It was Miss Summers turn to make the tea.
Last line: And then, displacing both of these emotions, there came a surge of triumph--the triumph some specialist might feel who has successfully reconstructed an extinct animal from a fragment of jawbone and a couple of teeth.
***************************
Deaths = 5 (two poisoned; one strangled; one in war; one shot)
Meredith Llewellyn is the headmistress at the Bellehaven Finishing School. A place that is known for transforming the "most incorrigible tomboy into a refined young lady." It's also a bit progressive for the beginning of the 20th Century--encouraging their refined young ladies to think for themselves and allowing exploration into other ways to find fulfillment beyond the role of wife and mother. The teachers may teach deportment and household management, but you just might find them chanting "votes for women" along with their students. You never know what you might see if you arrive unannounced. But I don't think anyone expected to see a ghost...
That's just what Meredith does see after her friend Kathleen Duncan, the home management teacher, was found bludgeoned to death with a tree limb. The local bobby doesn't want to waste precious time investigating too deeply into the demise of a woman out wandering in the garden at night alone (where no respectable lady should be...) and decides it's a death by tramp. A very convenient tramp who is long gone with no way to trace him. Meredith is upset that her friend's death is so easily dismissed and thinks about investigating on her own. But she has no idea how to go about it. Until she starts seeing Kathleen's ghost who seems to be trying to tell her something through various signs. If she can just figure out what Kathleen's motions in the garden mean, she just might have the clues to get an investigation started.
Pure cozy mystery. No blood to speak of. No traumatic or complicated goings-on in our amateur sleuth's life. And, honestly, not a whole heaping lot of detection. So--if you're looking for a standard mystery with clues to follow and deductions to make, then this might not be your thing. If you like a gentle mystery with a hint (just a hint, mind you) of the supernatural and likeable characters, then this might well be your thing.
I like the setting at a girls' school. I like our main characters--Meredith and her two, somewhat reluctant, Watsons, Felicity and Essie--though I'm not quite sold on Meredith as a Sherlock just yet. This was a pleasant read but the mystery wasn't too difficult. I knew exactly what Kathleen's ghost meant when she kept pointing at the garden and I'm not quite sure why Meredith was so baffled. Perhaps her grief got in the way? I have the second book in this series and hope that we will see more detecting than trying to communicate with spirits (though I already know there is a ghost involved in that one as well). ★★★
First line: Under normal circumstances Meredith Llewellyn enjoyed the Sunday services at St. Edmund's.
Last line: "Now what's your story?"
*****************
Deaths = one hit on head
Marian Wayne, wife of our narrator Ben Wayne, is on the hunt for local-sourced, vintage pine board for a redecoration project. She's hunted high and low in abandoned barns and farmhouses with no success. But then she remembers the grist mill on the property of the area's power family--the Wights. She finds what she's looking for there...and a bit more. While looking around she happens to look in the stand pipe, a well-like opening with water in the bottom, and sees a jumble of bones lying at the bottom. When her husband hears her story, he brings in Doc Miller, the county coroner, who in turn calls upon the D.A. Even before they try to retrieve the bones, Miller is convinced that they've an old murder to solve because someone dumped in old timbers as well in an effort to hide the remains.
Since it is after dark and there's no lights in the mill, they decide to return in the morning to drain the stand pipe and bring up the bones. But when they get there, they find that someone has beaten them to it and the bones are gone.
Bones, bones, who's got the bones?
![]() |
| by grandeduc on Getty images |
Fortunately, the person who snatched them in the night wasn't so great at the "hiding" part of hide-and-seek and the bones are rediscovered fairly quickly. The Wights, however, immediately use their influence to try and railroad the D.A. into calling the death an "unfortunate accident to John Doe." But as soon as Doc Miller gets a good look at the bones, he isn't having any. He recognizes healed bones representing injuries that he treated himself and declares that the bones belong to Nate Wight, the black sheep of the family who supposedly slunk off to New York City a few years ago. All clues seem to point directly to the Wights--no wonder they wanted things hushed up. And one of them will go to any length to keep the secrets of the past unseen. Now Doc Miller with Ben acting as his leg man must race to identify Nate's murderer before more people are hurt...or killed.
Lots of action--from a chase through the swamps to a midnight rescue from the stand pipe to blazing (literally) grand finale. Ben Wayne endures some very pulpy private eye encounters--all in the dark, so we don't know who the villain is till the end. Doc Miller spends a fair amount of time tending to Ben's injuries and you have to sympathize with Marian who is afraid that her husband won't survive the next go-round with the culprit. There is also a good amount of good old fashioned deduction on Doc Miller's part, making for a good detective story on top of the pulp action. The characters are great from the interactions between the good doctor and Ben, the good doctor and all the Wights. I especially enjoyed the two younger Wights--Peg and Lightning. They made good sleuthing sidekicks for Ben.
There are a few drawbacks--like the overall motivation of the killer. The initial murder and cover-up I get. But the follow-ups are bit tenuous--especially if the Wights and their entourage stick together as they've always done. It might have helped if there had been a bit more attention to the background of the characters (delightful as most of them are, we don't learn a lot about them). And I don't see the point of the fire at the end--not even with the murderer explaining it. But the pluses outweigh the minuses and I thoroughly enjoyed Petersen's story. I'll definitely pick up the first two in the Doc Miller series if I come across them. ★★★★
First line: I had spent most of today in the city; a business demand had been satisfied, and I had managed to call on my tailor too.
Last line: What became of the cat?"
*****************
Deaths = 5 (one natural; one hit on head; one shot; two burned to death)
Professor Matthew Weir escaped the gallows in 1937 by the skin of teeth. In Scotland, the verdict would likely have been brought in as "Not Proven." His highly abrasive, interfering sister-in-law had died from arsenical poisoning and the Weir's equally poisonous housekeeper had done her darnedest to see that her employer wound up with a noose around his neck. Weir university had stood by him during the entire ordeal (perhaps a point in his favor with the jury...), but he felt impelled to give up his post and flee to the country where he and his family lived in a small Tudor manor house near Oxford for two years without incident. Unless you count the slight mental decline of his wife.
It's thought wise to bring in a companion for Kate Weir--especially to accompany her on walks where she's apt to pick wild herb and whatnot to brew up her special teas. The doctor, who is instrumental in hiring Miss Brett (the companion), insists that the teas are harmless. But...Mrs. Weir had been experiencing gastric distress before Miss Brett was hired. Is that linked to the teas? Or, as the housekeeper (yes, the same one) points out, the illnesses seemed to follow hard on visits that Kate Weir made to Alice Gretton, one of the few local women with whom Mrs. Weir has made friends--could Alice have been giving Kate something to make her sick? It's interesting that the episodes stop as soon as Alice Weir disappears from her cottage.
But then Miss Brett arrives and Mrs. Weir has another, final bout of illness. And when the autopsy is done arsenic is once again the culprit. Was Matthew Weir erroneously acquitted and has he struck again? If so, he must be hoping that his wife's niece is also no longer among the living--because if Joyce Murray is alive and well in Australia, then she'll inherit everything except 6,000 pounds. But if she's dead....well, Matthew's inheritance will be much bigger. When Scotland Yard arrives in the persons of Chief Inspector Dan Pardoe and Detective Sergeant Salt, they'll have a job to find the guilty party--whether the obvious or not. Also cluttering up the possible suspects are Matthew's niece and nephew (who could benefit indirectly), an old gypsy woman who seemed to take a sudden dislike to Mrs. Weir after a brief friendship, and Matthew's brother, Augustus, who also could benefit from a brother with more ready cash. When a vehicle suffers a mysterious "accident" and the gypsy disappears, Pardoe realizes he'll need to work quickly to prevent more deaths.
This one gets off to a slow start with the lead up to the hiring of Miss Brett and her train journey to Steeple Cloudy--although I did love Miss Flora Hickey, a schoolteacher from Indiana (!), and her observations of her fellow passengers. I was disappointed that she didn't play a bigger part throughout the story (hoping for a sortof a mild version of Miss Marple and her keen people skills). But she does come through towards the end, giving Pardoe a vital clue. And speaking of Queens of Crime (Christie), I found the final letter in this partial epistolary story to be quite Sayers-like. "Mew," the mother of one of the supporting characters, reminds me of the Dowager Duchess in several of her turns of phrase. I wouldn't have minded seeing more of her (or her letters) either.
Once the second murder happens and Pardoe and Salt arrive, things pick up nicely. A good mixture of close questioning of the suspects and action and the clues are displayed fairly (though I missed a few). I noticed an early one and then promptly forgot it once other items drew my attention and was a bit surprised by the ending. If I'd been paying proper attention, I shouldn't have been. A very good outing with Pardoe and Salt. ★★★★
First line (prologue): So, it's all over, Mew, or nearly.
First line (1st chapter): Five months after the death of her employer, Aurelia Brett walked up from Castlebury Station in search of Dr. Smollett's house.
"By all accounts, piecing this, that, and the other together, taking off a slice here and supplying a bit there, she [Miss Leah Bunting] was one of the most difficult, though not most uncommon, types of maiden lady, given over at the same time to good works and to the exercises of an uncharitable tongue. In short, it seemed as if the good works had wrung all the goodness out of her." (Inspector Pardoe; p. 52)
The villagers might, for all he knew, be the heartless scandal-mongers he [the rector] made them out, but when you had a murder (and presumably a murderer) plopped down in your midst, you ought to be permitted a little mongering. (p. 149)
"'He travels fastest who travels alone,'" murmured the A.C. "Play a lone hand when next you do a murder, Sergeant." (p. 186)
Last line: And you will certainly come to me before you go and see Mussolini--Zoe, Nick, and Dinah too, please, and that poor little Freddy if the ogre will let him (I don't mean Mussolini, of course, but the other one). Your loving, Mew
*******************
Deaths = 11 (four poisoned;three natural; two car accident; one train accident; one hit on head)
Ellen Wilkinson was one of England's first female MPs and gives readers an intimate look at the hallowed halls of Parliament in this, her first...and only detective novel. Her debut novel introduces Robert West, private secretary to the Secretary of State for Home Affairs, who finds himself playing amateur detective when a violent death happens during his Chief's private dinner with reclusive American financier Georges Oissel.
Initially, the death of Oissel looks like suicide. The Home Secretary (who seems to be nameless...unless I missed it somehow) had to leave his guest a bit before the division bell (a signal to Members that a vote is about to be taken). The room is virtually sealed--all windows locked and the only door under observation of a waiter preparing to bring coffee for the Home Secretary's return as well as West and his own guest who are just coming down the hallway--when a shot is heard. The three men rush to the room and find Oissel shot through the heart and a revolver on the floor nearby.
The House officers quickly arrive and a search is made, but there is no one out of the ordinary to be found. Inspector Blackitt of Scotland Yard is called in and also seems to favor suicide--at first. But Oissel's granddaughter insists that her grandfather would never kill himself. And then the Oissel's apartment is burgled and the Home Secretary's own man who had been serving as a kind of body guard is killed. And then...the evidence (lack of scorching of any sort) supports the theory of murder. But if it is murder, how did the murderer get away? West and Blackitt will have to solve the impossible crime if they're going to nab the killer.
Wilkinson does an excellent job of setting the scene. Even this Yank began to feel at home in the House of Commons--it was so well-described. It was fun to see the inner workings of the 1930s Parliament--the machinations and tricks and deals to get things done. And to realize that "the more things change, the more they stay the same." Her characters are vivid and well-defined and I think it's a shame she didn't write more mysteries, especially if they would have featured Lord Dalbreattie and West investigating again. Inspector Blackitt is given the short end of the stick, though. After showing how it couldn't be suicide and beginning to investigate, he sort of fades into the background.
She doesn't do too badly with the impossible crime either--especially given that this was her first attempt at a detective novel. One one real complaint is that I can't remember a particular thing being mentioned about the room where Oissel was killed. It's kind of important to solving the mystery. I just went back and reread all the scenes I could remember that took place in Room J (as it's known) and I couldn't find mention of it at all. So, I don't see how the reader could possibly have figured out how it was done.
Overall a thoroughly enjoyable read. ★★★★
First line: No matter how exciting the day, the House of Commons loses all interest between the hours of 7 am and 9 pm.
The public was not quite sure of him [the Prime Minister] because he, elusive, incalculable, was never quite sure of himself....to some degree he reflected the lack of purpose of his period. It was counted to him for a virtue that he could answer any question and leave the questioner soothed, but completely in the dark as to what he meant. (p. 159)
"Flossie" [the Home Secretary] was priceless. He had committed the most unpardonable piece of folly, he had outraged every official British tradition. If the facts were suspected not only the Government, but the Party were irretrievably ruined, and there he sat, a pillar of the Established Church and the Established Everything Else, shocked at the wickedness of the the unknown burglars. (p. 167)
Robert felt like he ought to apologize for the poor old Parliament that had insisted on having a mystery although it ought to have known that Lord Dalbeattie didn't like them. (p. 175)
"The police are no match for a really highly trained servant, especially one accustomed to holding his or her tongue in a place like the House of Commons. I learned that fact in a very costly way when I was trying to get a divorce. My wife knew it, and I paid for the lesson. (Lord Dalbeattie; p. 179)
"But it is no use trying to unravel a mystery like this unless you are prepared to face every possibility, and keep your own emotions out of it. Find the truth, and then let your feelings dictate what you should do with it. That seems to me to be the only common-sense way." (Lord Dalbeattie; p 182)
[The "Under Gallery"] is rigidly barred to any woman, though she may be the expert in charge of a bill. Women M.P.s might try to abolish this absurdity, but the House, which in the past has swallowed whole strings of new camels, would die in the last ditch in defence of some antiquated gnat of a custom. (p 194)
Last line: "The police forgot the river."
********************
Deaths = two shot
Jason Ryder has been trying to recover from the death of his wife in a tragic car accident when two things happen. Valerie Mayne, a woman who says she was friend of his wife in college, shows up at his door and attaches herself, limpet-like, to him. He just can't seem to get her to get a job and an apartment and out of his hair. And he receives a letter from his cousin asking if he'd like a change from the high-powered world of New York publishing to the mountain slopes of Colorado. His cousin, who teaches at a small college in Aspen, is going to Italy to teach and there's an open position. Jason decides the change is just what he needs...and it's a chance to get rid of Valerie gracefully.
Except...
"But Jason, that's too good to be true! I'm dying to go to Aspen!"
And the limpet tags right along to Colorado. Where she immediately stirs up trouble, making everyone think that Jason has a live-in girlfriend. So...when Valerie winds up stabbed with a ski pole and Jason was last person known to be her...well what is the detective in charge of the case to think?
But...Aspen's newest female D.A., Kay Barth, doesn't think the police have enough evidence to make a charge stick and demands that the officers dig a little deeper into Valerie's past. Except...it's evident that's going to be a challenge. Despite making the national news and calls for information, no one comes forward as family or friends to help the police or claim the body. Could there be something in Valerie's past that finally caught up with her on the ski slopes? New evidence is found that there were other men in Valerie's life and that she had history of using what she knew about people to get what she wanted. Whose position did she threaten the most?
This is one of the better mysteries in the Zebra Puzzler series, though one could have hoped for more clues to the motive. On the plus side, there are plenty of suspects to choose from and there are several clues that could point more than one way. So the book is true to the series name--providing a puzzle for the reader. With the set-up, one did know that Jason would be cleared even though it looked quite black for him even at moments towards the end. And this series just isn't the type to turn things absolutely on its head by making the apparently guilty from the beginning suspect the actual villain after all. A fun, quick read that I enjoyed. ★★★★
First line: Margaret Watterson was new to skiing.
Last lines: "You can keep the scotch," she called out. The front door slammed behind her.
**********************
Deaths = 4 (one auto accident; one stabbed; two airplane crash)
If you don't like inverted mysteries and knowing pretty much everything except whether the police will figure out that murder has happened and be able to pin it on the guilty party, then you best not read the first paragraph.
So...Dr. Bowes-Ottery, lecturer in chemistry, is studiously working his way towards a professorship by doing all sorts of experiments with benzenes and colloids and whatnot when he injects his latest concoction into a lab rat and accidentally discovers an apparently impossible-to-trace poison that gives the victim a grand sense of well-being and euphoria before a quite painless death. What a gift to mankind! Bowes-Ottery sees himself dispensing it to all sorts of undesirables who do nothing but harm to the public. He would never doing harm to anyone--but a painless death that wouldn't be anything to trouble one's conscience over. But it doesn't take long for his scheme of benefiting humanity in general turns to one of personal vengeance on those who have been troublesome to the good doctor in one way or another--a fellow academician who has meddled in all sorts of affairs from those that touch Bowes-Ottery personally to those in the university on a grander scale. Then there's that annoying Mrs. Talantoun, the university gossip, whose tittle-tattle ruins reputations and who has recently notices that Bowes-Ottery pays more than a mentor's attention to the young, shapely student who works in his lab. A tongue like hers most definitely needs silencing. And when he tires of the all too clingy shapely student...well, he can't have her ruining his chances for the top prize in his field, now can he?
His lab assistant remembers the queer incident with the rat and he begins to get worried. And when Bowes Ottery is made a professor and a new chemistry lecturer is hired...and the two don't seem to get on...and the new chemistry lecturer gets sick in a rather odd way...the lab assistant and the lecturer put their heads together about Bowes-Ottery's last experiment before all the deaths started happening. Meanwhile, the police haven't been as happy with the coroner's court verdicts as it would appear and they've been investigating as well...But will they be able to gather enough evidence to convict our poisoner? Will justice prevail? Well...don't read the last quote below if you want there to be any mystery at all in this story (should you happen to want to track it down and read it for yourself).
I have so many mixed feelings about this one. It's an academic mystery--which I love. It's an inverted mystery which I hate. It has an absolutely fantastic opening with an apparent lunatic or gleeful drunk driving crazily across country producing confusion and mayhem wherever he goes, laughing outrageously at everything he does, and killing himself when he runs into a steam roller--and, yet, we're told it's murder. It's one of the best two-page intros I've read in a long time. And then we're introduced to the murderer and we get to read his journal entries and see what a delusional, self-important, megalomaniac he is. No investigation, no looking at clues, no police interviews with suspects (as far as I can tell they don't have any suspects until somebody gets the bright idea that our murderer might have tried to kill the one person who escaped his clutches). But...there's all these lovely, entertaining peeks at university life that I adored. Oh, and the scenes between the prosecuting attorney and the murderer's defense attorney are priceless--as well as the trial itself. And it's always a good sign if I'm grabbing up quotations right and left.
But....as a mystery it falls flat. Because, in my book, it's not one. Yeah, the suspense of "will he get away with it?" is supposed to carry the day in an inverted mystery, but it doesn't really here. Vulliamy, I think, must have thought himself rather clever with his little twist at the end, but that didn't really do it for me either. So, overall: ★★ and 3/4--I just can't bring myself to give a full three stars.
First line: The car pulled up with a screech and a shuddering heave on the grassy verge of the lane, and the driver's cheerful face appeared at the window.
"Well, you can go easy now. Nobody expects a professor to do more than is required of him--and that's damned little." (the new Professor of Greek; p. 56)
Psychology? That is the last refuge of desperation, if I may venture to say so, with the greatest respect to Dr. Roberts. It leads you round and round for ever and ever, and you get nowhere at all. (the Coroner; p. 94)
"You never know where you are with a learned man; he has a way of being elaborately simple." (Inspector Butts; p. 105)
"Innocent people are much more likely to show confusion than guilty ones. Always remember that. Not only are they usually more timid, but they are taken aback by what seems to them so utterly preposterous; whereas the others are continually on the alert." (the Superintendent; p. 106)
If the residents of this University, or its illustrious visitors, were to get in the habit of dying mysteriously with a certain resemblance in the preliminary symptoms (and it's not easy to avoid that), a kind of general suspicion would arise which might become somewhat embarrassing. (from the journal of our murderer; p. 149)
"If you did happen to kill her, even by accident, you simply mustn't say so. I've known you for some years, and the notion seems to me too incredibly fantastic, my dear boy; but we all do funny things now and then." (our murderer's lawyer to him; p. 162)
Last line: Still, I am inclined to believe that he was convicted on a charge of which he was perfectly innocent. And yet, in the strangest way, justice was done; for Justice (like her sister Truth) may wear the mask of irony.
******************
Deaths = 7 (one car accident; six poisoned)